Hidekatsu Takada

Abstraction, Belief, Desire [working proof 11 for panel C]

Pat Steir, Hidekatsu Takada

1981

aquatint, hardground, softground, spit bite, drypoint on Arches paper (Panel C WP11 –hard ground etching in brick red, sugar lift aquatint in coral pink, mint green, yellow, aquatint in brick red to light red) Accession ID 2024.132.666

Abstraction, Belief, Desire [working proof 9 for panel B]

Hidekatsu Takada, Pat Steir

1981

aquatint, hardground, softground, spit bite, drypoint on Arches paper (Panel B WP 9 – drypoint, aquatint, sugar lift, spit bite and hard ground in red, yellow, blue, dark brown to light brown, turquoise with a cut from the paper upper right side) Accession ID 2024.132.661

Still Life

Francesco Clemente, Crown Point Press, Hidekatsu Takada, Peter Pettengill

1981

drypoint in black on Somerset paper Accession ID 2001.142.31

Landscape #2

Francesco Clemente, Crown Point Press, Peter Pettengill, Hidekatsu Takada

1981

drypoint in black on Somerset paper Accession ID 2001.142.27

Abstraction, Belief, Desire [working proof 12 for panel C]

Pat Steir, Hidekatsu Takada

1981

aquatint, hardground, softground, spit bite, drypoint on Arches paper (Panel C WP12 –hard ground and sugar lift in dark brick red, and teal blue, soap ground in mint green, coral pink, yellow, aquatint in dark brick red to lighter red) Accession ID 2024.132.667

When I Think of Venice [working proof 8A]

Pat Steir, Hidekatsu Takada

1980

aquatint, sugarlift, spitbite, hardground, softground, drypoint on Rives BFK paper (WP 8A – left panel, red, yellow, turquoise, spit bite and more drypoint signed “WP S.P.”) [working proof 8A] Accession ID 2024.132.639

When I Think of Venice [working proof 9A]

Pat Steir, Hidekatsu Takada

1980

aquatint, sugarlift, spitbite, hardground, softground, drypoint on Rives BFK paper (WP 9A – left panel, color proof, more drypoint, hard ground, brown step-etch, aquatint added. signed “W.P. P.S.”) [working proof 9A] Accession ID 2024.132.640

When I Think of Venice [working proof 6A]

Pat Steir, Hidekatsu Takada

1980

aquatint, sugarlift, spitbite, hardground, softground, drypoint on Rives BFK paper (WP 6A – left panel, red, yellow and turquoise sugar lift, spit bite and aquatint with hard ground etching, signed “WP. PS.”) [working proof 6A] Accession ID 2024.132.637

When I Think of Venice [working proof 7A]

Pat Steir, Hidekatsu Takada

1980

aquatint, sugarlift, spitbite, hardground, softground, drypoint on Rives BFK paper (WP 7A – left panel, yellow and turquoise, soap ground, notes in pencil, signed “WP. PS. Plate Three”) [working proof 7A] Accession ID 2024.132.638

When I Think of Venice [working proof 10A]

Pat Steir, Hidekatsu Takada

1980

aquatint, sugarlift, spitbite, hardground, softground, drypoint on Rives BFK paper (WP 10A – left panel, color proof with square cut out of paper. notes and drawings in pencil, signed “WP P.S.”) [working proof 10A] Accession ID 2024.132.641

When I Think of Venice [working proof 4B]

Pat Steir, Hidekatsu Takada

1980

aquatint, sugarlift, spitbite, hardground, softground, drypoint on Rives BFK paper (WP 4B – right panel, full color proof, torn UR corner, signed “WP PS.”) [working proof 4B] Accession ID 2024.132.642

(Image 5)

Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

1978

color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on Arches Satine paper Accession ID 2001.142.94.5

Hidekatsu Takada

Abstraction, Belief, Desire [working proof 11 for panel C]

Abstraction, Belief, Desire [working proof 11 for panel C]