Hidekatsu Takada

American, active 20th century

Displaying 49 - 60 of 91

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  • ""

    Not St. Girolamo

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, softground on chine collé on handmade don farnsworth and arches 88 roll paper  Accession ID  1997.8.43

    Not on view
  • ""

    Screen

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Color sugarlift aquatint, drypoint, and chine collé on don farnsworth handmade paper  Accession ID  1998.40.73

    Not on view
  • This is a drawing of an abstract shape with intricate curved lines on the left side of the canvas. The lines converge and diverge, creating movement and flow across the form which tapers off to the right. Shading in the upper and lower portions adds a three-dimensional quality. The rest of the canvas is blank.

    Fragment

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching in black on arches 88 roll paper  Accession ID  1998.40.59

    Not on view
  • The image displays a minimalist line drawing of a person's face. The head is depicted with a frontal view and centered alignment, featuring basic facial features outlined in simple lines, including eyebrows, eyes, a nose, and lips. The hair is short and closely cropped. The drawing lacks intricate details, focusing solely on the face against a blank backdrop. There are no accessories or objects present in the image.

    Self-Portrait #5 (Scowl)

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Softground etching in black on arches satine paper  Accession ID  1998.40.80

    Not on view
  • ""

    Telemone #2

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, and softground etching on don farnsworth handmade chine collé mounted on arches 88 paper  Accession ID  1990.106.50

    Not on view
  • The image shows a large hand holding a textured fruit, along with abstract lines covering both the hand and the fruit. The background is a plain white or light beige color, with black line art as the main feature. The hand holds the fruit in the center of the image, and there are a few small, scattered lines in the upper part of the image, slightly above the center to the right.

    Still Life

    Francesco Clemente, Crown Point Press, Hidekatsu Takada, Peter Pettengill

    1981

    Drypoint in black on somerset paper  Accession ID  2001.142.31

    Not on view
  • The image contains a large circular shape filled with deep red color and bordered with a slightly darker shade. Inside, three human figures are drawn in reclining positions, appearing to float in space. The figures are depicted in a minimalist line drawing style. Surrounding them are various circles and curved lines, resembling abstract elements.

    Tondo

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Color softground etching with aquatint on don farnsworth handmade paper  Accession ID  1998.40.83

    Not on view
  • The image shows an arrangement of geometric shapes like triangles, squares, circles, and more complex forms set against a textured background. The shapes are organized in a grid-like layout evoking a playful assortment of familiar objects. Various vibrant colors are used in the composition. Grid lines are visible at the top and bottom of the artwork.

    Abstraction, Belief, Desire [working proof 11 for panel A]

    Pat Steir, Hidekatsu Takada

    1981

    Aquatint, hardground, softground, spit bite, drypoint on arches paper (panel a wp 11 – aquatint, sugar lift aquatint, drypoint and hard ground etching in dark yellow, yellow, brick red, black, light blue, putty, grey and coral pink)  Accession ID  2024.132.658

    Not on view
  • ""

    Telemone #1

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, and softground etching on don farnsworth handmade chine collé mounted on arches 88 paper  Accession ID  1997.8.44

    Not on view
  • The image is a drawing showing a person from the shoulders up, positioned facing slightly towards the left with their right arm extended to the side. The person's facial features are depicted with bold lines emphasizing the eyes, nose, and mouth. They have short hair. The attire is not detailed but suggests a collared shirt. The person appears to be holding a pen or a similar object in their hand. Around them is a large circular design resembling a serpent or snake biting its tail (an ouroboros). The background is plain, and the image is centered on the page with a wide margin around it.

    Self-Portrait #4 (Snake)

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Softground etching in black on arches satine paper  Accession ID  1998.40.79

    Not on view
  • The image features a series of loosely connected lines and shapes forming an abstract composition. In the upper part are two elongated forms resembling a spoon and an arm connected by a line, and a jar-like shape. Below these is a large pair of scissors intersecting with various lines. To the right, there is a pattern of swirling lines. Scattered among these elements are small sketches of human figures and other objects, such as teeth and a star. The overall arrangement resembles a workbench cluttered with tools and curious findings.

    Seascape [trial proof]

    Francesco Clemente, Crown Point Press, Peter Pettengill, Hidekatsu Takada

    1981

    Drypoint and softground etching in black on handmade don farnsworth paper [trial proof]  Accession ID  2001.142.30

    Not on view
  • ""

    Telemone #2

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, and softground etching on don farnsworth handmade chine collé mounted on arches 88 paper  Accession ID  1997.8.45

    Not on view