Hidekatsu Takada

The image features a natural setting with rocks as the focal point. The horizon is not visible. The style includes intricate lines and varied strokes for texture, with a monochrome color palette of black and off-white. Sparse branch lines are visible at the top, and detailed rocky formations are closer. Sparse, dense lines suggest distant vegetation.

Landscape #1

Francesco Clemente, Crown Point Press, Peter Pettengill, Hidekatsu Takada

1981

Drypoint in black on somerset paper Accession ID 2001.142.26

Not on view

This image features intricate and intertwined lines and shapes creating an abstract composition. The shapes resemble human body parts, such as faces and limbs, giving the impression of several people entangled. On the right, a detailed face with a prominent eye and partial nose is depicted. On the left, elements resembling facial features and abstract organic forms are interwoven, suggesting textures like hair or leaves. The composition has an abstract quality evoking human figures and natural textures, open to interpretation.

Self-Portrait #1 (India)

Francesco Clemente, Hidekatsu Takada, Crown Point Press

1981

Softground etching in black on arches satine paper Accession ID 1998.40.76

Not on view

This image features a complex scene with geometric structures, abstract forms, and recognizable elements. The image includes a grid of geometric lines and loosely rendered sketches, with a band of gradient shading at the top. Throughout the grid, abstract forms unite into discernible objects. In the lower section, a figure with facial features emerges from a mesh of crosshatching and lines. Above this figure, an arrangement of lines and shapes suggests an abstracted interior scene with a table holding objects resembling a bouquet and circular forms. The center of the composition focuses on an abstract shape that could suggest a mountain or draped cloth, creating a sense of depth and perspective within the structured chaos. Lines cut through the drawing, emphasizing direction and structure, blending organic and geometric elements with constructivist influences.

Abstraction, Belief, Desire [working proof 9 for panel C]

Pat Steir, Hidekatsu Takada

1981

Aquatint, hardground, softground, spit bite, drypoint on arches paper (panel c wp 9 –hard ground etching in black, aquatint in black to light black to grey) Accession ID 2024.132.664

Not on view

This is a drawing of an abstract shape with intricate curved lines on the left side of the canvas. The lines converge and diverge, creating movement and flow across the form which tapers off to the right. Shading in the upper and lower portions adds a three-dimensional quality. The rest of the canvas is blank.

Fragment

Francesco Clemente, Hidekatsu Takada, Crown Point Press

1981

Etching in black on arches 88 roll paper Accession ID 1998.40.59

Not on view

Telemone #1

Francesco Clemente, Hidekatsu Takada, Crown Point Press

1981

Etching, aquatint, drypoint, and softground etching on don farnsworth handmade chine collé mounted on arches 88 paper Accession ID 1997.8.44

Not on view

When I Think of Venice [working proof 6A]

Pat Steir, Hidekatsu Takada

1980

Aquatint, sugarlift, spitbite, hardground, softground, drypoint on rives bfk paper (wp 6a – left panel, red, yellow and turquoise sugar lift, spit bite and aquatint with hard ground etching, signed “wp. ps.”) [working proof 6a] Accession ID 2024.132.637

Not on view

When I Think of Venice [working proof 7A]

Pat Steir, Hidekatsu Takada

1980

Aquatint, sugarlift, spitbite, hardground, softground, drypoint on rives bfk paper (wp 7a – left panel, yellow and turquoise, soap ground, notes in pencil, signed “wp. ps. plate three”) [working proof 7a] Accession ID 2024.132.638

Not on view

When I Think of Venice [working proof 10A]

Pat Steir, Hidekatsu Takada

1980

Aquatint, sugarlift, spitbite, hardground, softground, drypoint on rives bfk paper (wp 10a – left panel, color proof with square cut out of paper. notes and drawings in pencil, signed “wp p.s.”) [working proof 10a] Accession ID 2024.132.641

Not on view

When I Think of Venice [working proof 4B]

Pat Steir, Hidekatsu Takada

1980

Aquatint, sugarlift, spitbite, hardground, softground, drypoint on rives bfk paper (wp 4b – right panel, full color proof, torn ur corner, signed “wp ps.”) [working proof 4b] Accession ID 2024.132.642

Not on view

When I Think of Venice [working proof 9A]

Pat Steir, Hidekatsu Takada

1980

Aquatint, sugarlift, spitbite, hardground, softground, drypoint on rives bfk paper (wp 9a – left panel, color proof, more drypoint, hard ground, brown step-etch, aquatint added. signed “w.p. p.s.”) [working proof 9a] Accession ID 2024.132.640

Not on view

When I Think of Venice [working proof 8A]

Pat Steir, Hidekatsu Takada

1980

Aquatint, sugarlift, spitbite, hardground, softground, drypoint on rives bfk paper (wp 8a – left panel, red, yellow, turquoise, spit bite and more drypoint signed “wp s.p.”) [working proof 8a] Accession ID 2024.132.639

Not on view

The image displays a red square at the center, surrounded by a border of black and brown scratch-like lines.

(Image 1)

Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

1978

Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper Accession ID 2001.142.95.1

Not on view

Hidekatsu Takada

Landscape #1

Landscape #1

Self-Portrait #1 (India)

Self-Portrait #1 (India)

Abstraction, Belief, Desire [working proof 9 for panel C]

Abstraction, Belief, Desire [working proof 9 for panel C]

Fragment

Fragment

Telemone #1

Telemone #1

When I Think of Venice [working proof 6A]

When I Think of Venice [working proof 6A]

When I Think of Venice [working proof 7A]

When I Think of Venice [working proof 7A]

When I Think of Venice [working proof 10A]

When I Think of Venice [working proof 10A]

When I Think of Venice [working proof 4B]

When I Think of Venice [working proof 4B]

When I Think of Venice [working proof 9A]

When I Think of Venice [working proof 9A]

When I Think of Venice [working proof 8A]

When I Think of Venice [working proof 8A]

(Image 1)

(Image 1)

West Building

East Building

Sculpture Garden

Hidekatsu Takada

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West Building

East Building

Sculpture Garden

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