Hidekatsu Takada

American, active 20th century

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  • The image contains a black square in the center, surrounded by chaotic lines and scribbles. The lines create a textured border around the square.

    (Image 4)

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper  Accession ID  2001.142.95.4

    Not on view
  • The image consists of a large yellow square within a beige square with dark, erratic lines etched on it. The composition suggests a picture frame or a window, with the bright square resembling sunlight. The contrast between the solid color and textured border is notable.

    (Image 2)

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper  Accession ID  2001.142.95.2

    Not on view
  • The image displays a solid blue square against a textured background. Intersecting dark lines cover the tan background, resembling scratches or pencil marks on a wood-like surface. The contrast between the blue square and the earthy lines creates a unique visual effect.

    (Image 3)

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper  Accession ID  2001.142.95.3

    Not on view
  • The image displays a red square at the center, surrounded by a border of black and brown scratch-like lines.

    (Image 1)

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper  Accession ID  2001.142.95.1

    Not on view
  • The image displays a geometric composition with a large dark brown square in the center, surrounded by intersecting lines forming a grid pattern on the outer border. The lines and boxes create an abstract pattern reminiscent of architectural blueprints or graph paper, with a woven texture or city map-like appearance.

    (Image 5) [trial proof]

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper [trial proof]  Accession ID  2001.142.94.5

    Not on view
  • The image depicts overlapping and intersecting lines creating a rectangular central area filled with darker, horizontal repetitive patterns. These lines and shapes form a window or grid-like structure against a backdrop of swirling, scribbled strokes. The textures and contrasts hint at natural elements like tree bark or ocean waves.

    (Image 7) [trial proof]

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper [trial proof]  Accession ID  2001.142.94.7

    Not on view
  • This abstract image features intertwined lines and shapes forming a composition with a sense of fragmentation. At the bottom, eyes are visible beneath a mass of lines resembling hair or neural pathways. Above, there are elongated forms resembling limbs of a human figure. To the left, the outline of a pair of scissors is included, adding a familiar object to the abstract forms. Shadowy human figures stand in the middle of the image, creating a dream-like scenario. The image is centered in a large blank space, emphasizing its mysterious and abstract quality.

    Circuit

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    Softground etching in black on somerset paper  Accession ID  1998.40.66

    Not on view