Barnett Newman

American, 1905 - 1970

Displaying 1 - 12 of 47

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  • Untitled Etching #2

    Barnett Newman

    1969

    Etching and aquatint  Accession ID  1976.56.121

    Media for this artwork is unavailable and the object is not on view.
  • Untitled Etching #1

    Barnett Newman

    1969

    Etching and aquatint  Accession ID  1976.56.120

    Media for this artwork is unavailable and the object is not on view.
  • ""

    The Moment

    Barnett Newman, Knickerbocker Machine & Foundry, Multiples, Inc.

    1966

    Color screenprint on plexiglas  Accession ID  2015.19.3397

    Media for this artwork is unavailable and the object is not on view.
  • A white canvas is alleviated only by a slightly darker strip of white along the left edge in this vertical, abstract painting. The artist signed and dated the work in that darker white paint near the lower left corner, “Barnett Newman 1966.”

    Fourteenth Station

    Barnett Newman

    1965/1966

    Acrylic and duco on canvas  Accession ID  1986.65.14

    On View: NGA, East Building, ET-615-B
  • Two narrow white vertical lines separate the otherwise ink-black surface of this vertical, abstract painting. One white line runs up the left edge, and the other slices through the black about two-thirds of the way across the canvas. The artist signed and dated the painting in the lower left corner of the white strip in black paint: “Barnett Newman 1966.”

    Thirteenth Station

    Barnett Newman

    1965/1966

    Acrylic on canvas  Accession ID  1986.65.13

    On View: NGA, East Building, ET-615-B
  • A bright white strip and a pair of white lines span the height of this otherwise cream-white, vertical, abstract painting. The wider white strip is along the left side of the canvas, and the pair of thinner lines are near each other about three-quarters of the way across from the left. The artist signed and dated the painting in the lower right corner in white, “Barnett Newman 1965.”

    Eleventh Station

    Barnett Newman

    1965

    Acrylic on canvas  Accession ID  1986.65.11

    On View: NGA, East Building, ET-615-B
  • Two bright white strips flank a central, darker cream-white area in this vertical, abstract painting. The bright white strips line the left and right edges. To the left, the white strip is bounded by a stripe of the cream-colored canvas. Then a sliver of the brighter white paint is feathered along the right edge of that bare stripe. The artist signed and dated the lower left corner with white paint, “Barnett Newman 1965.”

    Tenth Station

    Barnett Newman

    1965

    Magna on canvas  Accession ID  1986.65.10

    On View: NGA, East Building, ET-615-B
  • Wide and narrow strips of cream white and charcoal gray span the height of this vertical, abstract painting. The left three-quarters of the composition is dark gray except for a narrow white line near the left edge. The gray field ends to the right with a precise, vertical edge. A narrow white line follows, and then a thin blade of gray is brushed shallowly into the white, rightmost quarter of the composition. The artist signed the painting in the lower right corner, “Barnett Newman 1965.”

    Twelfth Station

    Barnett Newman

    1965

    Acrylic on canvas  Accession ID  1986.65.12

    On View: NGA, East Building, ET-615-B
  • Canto XV

    Zigmunds Priede, Universal Limited Art Editions, Barnett Newman

    1964

    Lithograph in red on wove shogun paper  Accession ID  1997.129.16

    Media for this artwork is unavailable and the object is not on view.
  • Canto XVI

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in red on laid paper  Accession ID  1997.129.17

    Media for this artwork is unavailable and the object is not on view.
  • A thin black line and a thicker black band span the height of this otherwise cream-white, vertical, abstract painting. The black line is near the left side of the canvas. The solid black band is across the canvas to take up about the rightmost fifth of the composition. Along the inner edge of the band is a thin white line and then a black line, both with jagged, slightly bleeding edges. The artist signed and dated the painting in the lower left corner in black, "Barnett Newman 1964.”

    Seventh Station

    Barnett Newman

    1964

    Oil on canvas  Accession ID  1986.65.7

    On View: NGA, East Building, ET-615-B
  • A bright white strip and a pair of white lines span the height of this otherwise cream-white, vertical, abstract painting. The wider white strip is along the left side of the canvas, and the pair of thinner lines are side-by-side about three-quarters of the way across from the left. There are a few touches of rust-orange discoloration scattered across the canvas. The artist signed and dated the lower right corner with white paint, "Barnett Newman 1964.”

    Ninth Station

    Barnett Newman

    1964

    Acrylic on canvas  Accession ID  1986.65.9

    On View: NGA, East Building, ET-615-B