Barnett Newman

American, 1905 - 1970

Displaying 25 - 36 of 47

Results

  • Canto IV

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    lithograph in black on wove British Chatham handmade paper  Accession ID  1997.129.5

  • Canto III

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    lithograph in black on wove Shogun paper  Accession ID  1997.129.4

  • Canto VI

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    lithograph in black on gray-white wove paper  Accession ID  1997.129.7

  • Canto V

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    lithograph in black on laid paper  Accession ID  1997.129.6

  • Canto II

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    lithograph in black and blue on gray laid paper  Accession ID  1997.129.3

  • Canto I

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    lithograph in white on wove British Chatham handmade paper  Accession ID  1997.129.2

  • Canto IX

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963-1964

    lithograph in blue and black on gray-white laid paper  Accession ID  1997.129.10

  • Sixth Station

    Barnett Newman

    1962

    oil on canvas  Accession ID  1986.65.6

  • A vertical black band and thin black line span the height of this otherwise cream-white, vertically oriented abstract painting. The black band is along the left side of the canvas, and its inner edge feathers inward. The black line cuts up the canvas about three-quarters of the way across from the left. The artist signed and dated the painting in the lower left corner in black, "Barnett Newman 1962.”

    Fifth Station

    Barnett Newman

    1962

    oil on canvas  Accession ID  1986.65.5

  • A white, almost square canvas is flanked along the left edge by a narrow line of pumpkin orange and to the right with black. The inner edge of the orange stripe is ragged, as if painted freehand. The inner edge of the black stripe is crisp. The artist signed and dated the painting in black in the lower right corner, “Barnett Newman ‘61+64.”

    Be II

    Barnett Newman

    1961/1964

    acrylic and oil on canvas  Accession ID  1986.65.15

  • Third Station

    Barnett Newman

    1960

    oil on canvas  Accession ID  1986.65.3

  • Three thin, black bands span the height of this otherwise cream-white, vertical, abstract painting. One solid black band is along the left side of the canvas, and it is lined with parchment brown along its crisp right edge. The other two black bands are near each other about three-quarters of the way across the composition. Together these two are about the same width as the first black band. The outermost edges of pair of black bands are filmy, and a sliver of white separates the two up the middle. Black paint is spattered in the lower left quadrant of the painting, and the artist signed and dated the lower right corner, “Barnett Newman 1960.”

    Fourth Station

    Barnett Newman

    1960

    oil on canvas  Accession ID  1986.65.4