Barnett Newman

American, 1905 - 1970

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  • A bright white strip and a pair of white lines span the height of this otherwise cream-white, vertical, abstract painting. The wider white strip is along the left side of the canvas, and the pair of thinner lines are side-by-side about three-quarters of the way across from the left. There are a few touches of rust-orange discoloration scattered across the canvas. The artist signed and dated the lower right corner with white paint, "Barnett Newman 1964.”

    Ninth Station

    Barnett Newman

    1964

    Acrylic on canvas  Accession ID  1986.65.9

    On View: East Building Tower Level, Gallery E615
  • The image displays a series of vertical red rectangles. One larger, slightly mottled rectangle is flanked by two narrower stripes of a more uniform shade of red.

    Canto XV

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in red on wove shogun paper  Accession ID  1997.129.16

    Not on view
  • The image shows two large rectangular shapes, one in vibrant yellow and the other in a mottled dark green hue, positioned side by side with a vertical division between them.

    Canto XI

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in yellow and blue on wove shogun paper  Accession ID  1997.129.12

    Not on view
  • The image contains two vertical rectangular shapes placed next to each other. The left rectangle is bright yellow, while the right rectangle is textured and dark green. The contrast between the smooth and textured surfaces creates an abstract appearance.

    Canto XII

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in yellow and blue on wove shogun paper  Accession ID  1997.129.13

    Not on view
  • A thin black line and a thicker black band span the height of this otherwise cream-white, vertical, abstract painting. The black line is near the left side of the canvas. The solid black band is across the canvas to take up about the rightmost fifth of the composition. Along the inner edge of the band is a thin white line and then a black line, both with jagged, slightly bleeding edges. The artist signed and dated the painting in the lower left corner in black, "Barnett Newman 1964.”

    Seventh Station

    Barnett Newman

    1964

    Oil on canvas  Accession ID  1986.65.7

    On View: East Building Tower Level, Gallery E615
  • The image shows a series of rectangular shapes placed side by side on an off-white rectangular background. The rectangles are colored in varying shades of red, with a darker red rectangle in the center and lighter red rectangles on each side.

    Canto XVIII

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in red on laid paper  Accession ID  1997.129.19

    Not on view
  • The image shows a large vertical rectangle with two vertical bands of red on either side and a darker red strip in the center. The composition uses symmetry and solid blocks of color to create a sense of depth. The lines and shapes create a minimalist design focused on variations in red, suggesting urban structural forms.

    Canto XIV

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in red on gray-white laid paper  Accession ID  1997.129.15

    Not on view
  • The image features a large, vertical rectangle in the center, accompanied by two slightly narrower vertical bands on each side. The central rectangle is deep and textured, while the adjoining bands are a brighter solid red. The arrangement may give associations to a door or portal framed by pillars. The geometric simplicity and rich color palette highlight form and color interplay.

    Canto XVI

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in red on laid paper  Accession ID  1997.129.17

    Not on view
  • The image features two large rectangles next to each other, one in bright mustard yellow and the other in dark, textured olive green. The artwork uses geometric shapes to create contrast between the two rectangles. The yellow rectangle is smooth, while the olive green one has a subtle texture. The clean separation and bold colors emphasize the abstract nature of the piece, focusing on the interplay of colors and textures.

    Canto XIII

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Lithograph in yellow and blue on wove shogun paper  Accession ID  1997.129.14

    Not on view
  • ""

    18 Cantos

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1964

    Portfolio of eighteen lithographs with title page, preface by barnett newman, and colophon page; each print is in a folder of japan nacré paper  Accession ID  1997.129.1-19

    Not on view
  • The image shows an abstract composition with a large rectangle containing a narrow vertical strip in the center, presented on a textured, pale background. The central vertical line divides the rectangle, creating a semblance of an entrance or separation between two spaces.

    Canto I

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    Lithograph in white on wove british chatham handmade paper  Accession ID  1997.129.2

    Not on view
  • The image features two adjacent rectangles in varying shades of blue, split vertically in the center.

    Canto VIII

    Barnett Newman, Zigmunds Priede, Universal Limited Art Editions

    1963 (published 1964)

    Lithograph in blue on wove paper  Accession ID  1997.129.9

    Not on view