George C. Miller

Miller, George

American, 1894 - 1966

Displaying 37 - 48 of 179

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  • The image depicts an elderly man's torso and head in detail. He is seated and turned slightly to his left, with his eyes facing forward. The man has well-defined facial features, including prominent cheekbones, furrowed brows, and an intense expression. His hair is curled and mostly covered by a knitted cap. He is wearing a heavy, textured garment with intricate details. The man's hands hold a pair of spectacles with precise etchings on the frames and glass. The background is dark with swirling patterns and indistinct forms, adding to the portrait's moody atmosphere.

    Fleeting Time, Thou Hast Left Me Old

    Ivan Albright, George C. Miller, Associated American Artists

    1945 (published 1946)

    Lithograph in black on wove paper  Accession ID  2011.60.5

    Not on view
  • The image depicts two men shown in a profile view. The man in the foreground has light-colored hair and is eating a piece of food, while the man slightly behind him has short, textured hair and is drinking from a white cup. Both men are wearing dark shirts or jackets. The background is a simple textured surface with no additional context. No accessories are visible.

    Banquet

    Joseph Hirsch, George C. Miller, Associated American Artists

    1945 (published 1946)

    Lithograph in black on wove paper  Accession ID  2015.19.1226

    Not on view
  • The image shows a man sitting in a chair, with most of his body visible from head to feet. He is positioned slightly slouched backwards with his legs spread wide apart, and his head is tilted to the side. The man has closed eyes and a relaxed facial expression, and he wears a large-brimmed black hat. He has short hair that is partially visible. His clothing includes a buttoned shirt under a suit jacket, loose-fitting pants, and a pair of shoes. The man holds a piece of straw in his mouth, and there's an hourglass next to him on a wooden table. The background features a room with wood patterns visible on the wall and floorboards, and a vertical wooden beam with carved marks and initials.

    Wake Up, America!

    Rockwell Kent, George C. Miller

    1945

    Lithograph in black on wove paper  Accession ID  2015.19.957

    Not on view
  • The image shows a group of figures working. Closest to us, there is a man kneeling with a sickle, while another man stands to the right, also holding a sickle. In the distance, there is a small structure. The lines appear fluid and dynamic, indicating movement. The color palette is monochromatic with black and white contrast, shadows, highlights, and wispy clouds in the sky.

    Island Hay

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1945 (published 1946)

    Lithograph in black on wove paper  Accession ID  1987.41.5

    Not on view
  • The image shows a woman standing with her hands on her hips, wearing a sleeveless top and knee-length skirt. She has curly hair tied in a bun and is seen in profile. Behind her is a hanging partition with draped clothing or fabric. In the background, a man is seated, engaged in painting or drawing on a canvas. He has short dark hair and is dressed in a long-sleeved shirt. The studio setting includes framed artwork on the walls. Light enters from a window on the right, casting shadows on the floor and walls.

    In the Studio

    Raphael Soyer, George C. Miller, Associated American Artists

    1944

    Lithograph in black on wove paper  Accession ID  1987.41.58

    Not on view
  • The image shows various animals gathered on a small piece of land surrounded by water. A horse is prominently featured, along with cows, a pig, and small creatures on the edge of the water. The background depicts heavy rain, trees, and a partially submerged building. The grayscale palette, detailed linework, and shading create a mood of unease and isolation.

    Sanctuary

    John Steuart Curry, George C. Miller, Associated American Artists

    1944

    Lithograph in black on wove paper  Accession ID  1987.41.23

    Not on view
  • The image shows a rugged landscape with a man operating a water pump, a small structure nearby, and two figures near a rearing horse. In the background, there is a person running along a fence. The sky is filled with swirling clouds and smoke. The painting uses dramatic brushstrokes and a monochromatic palette of black, white, and gray.

    Fire in the Barnyard

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1944

    Lithograph in black on wove paper  Accession ID  1987.41.7

    Not on view
  • The image shows several men leaning over a railing. They are closely positioned together and some have intense facial expressions. Each man has a different hairstyle and is dressed in a dark suit. One man is holding a hat. The background is dark.

    The Hecklers

    Joseph Hirsch, George C. Miller, Associated American Artists

    1943-1944 (published 1948)

    Lithograph in black  Accession ID  2008.115.2503

    Not on view
  • The image shows a woman reading on a bench under a lantern's light. In the distance, two laborers are working near a cart or plow. The landscape features bold brushstrokes, emphasizing clouds and grass. The color palette is monochromatic, using shades of black, white, and gray.

    Letter from Overseas

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1943

    Lithograph in black on wove paper  Accession ID  1987.41.8

    Not on view
  • The image shows a rural scene with a lone figure near two rustic structures. The perspective is slightly elevated, and the horizon is high in the composition. Trees, low hills, and clouds are visible in the sky. The artwork uses black and white with textured brushstrokes for grass and structure depth. A figure is seen carrying tools or equipment, walking towards an illuminated structure. The color palette is grayscale, emphasizing the figure and landscape lines.

    Night Firing

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1943

    Lithograph in black on wove paper  Accession ID  1987.41.9

    Not on view
  • This is a drawing of two horses engaged in a confrontation. The scene shows two horses reared up facing each other. The drawing captures the energy and tension of the horses as they interact. The horses' manes and tails are animated, adding to the dynamism of the composition. There is a wooden fence, trees, and a barn in the background. An individual is also visible in the background. Dust or debris around the horses' hooves conveys a sense of motion.

    Stallion and Jack Fighting

    John Steuart Curry, George C. Miller, Associated American Artists

    1943

    Lithograph in black on wove paper  Accession ID  1987.41.21

    Not on view
  • The image shows a serene landscape with a view over the water towards the land. The horizon is high in the composition, with mountains in the distance. A small house is nestled among trees and rocks on the right. The water reflects the surroundings, including trees and rocks. The painting style includes detailed brushstrokes depicting textures in foliage and rocks. The colors are primarily greys and black. In the foreground, a rowboat with two figures is shown, one rowing and both wearing wide-brimmed hats.

    Lazy Afternoon

    Hannes Bok, George C. Miller, Associated American Artists

    1943

    Lithograph in black  Accession ID  2008.115.4828

    Not on view