George C. Miller

Miller, George

American, 1894 - 1966

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  • The image shows a group of people gathered around a fire under a large tree in a field. There are two dogs present. In the background, there are farmhouses, fields, and trees. The style is detailed with fine brush strokes and it is in black and white, emphasizing light and shadow.

    Blue Valley Fox Hunt

    John Stockton de Martelly, George C. Miller, Associated American Artists

    1936 (published 1938)

    Lithograph in black on wove paper  Accession ID  2015.19.1305

    Not on view
  • The image shows a landscape with multiple oil derricks rising against a sky. The composition includes a large cylindrical tower and stairway on the left, leading towards numerous smaller metal towers receding into the distance. The horizon is obscured by the dense cluster of derricks, and the sky features dramatic tonality with glowing light around the structures achieved through shading. Brushstrokes create a textured pattern, with dark tones and gradients suggesting light and shadow. The artwork is monochromatic, using shades of black and white to enhance the industrial nature of the scene with high contrast.

    Oil Country

    Louis Lozowick, George C. Miller

    1936

    Lithograph in black on wove paper  Accession ID  2002.98.146

    Not on view
  • This is a drawing of a fish tank with a fish and a ray swimming inside. The fish has an expressive face and the ray is gliding in the background. The scene depicts an aquarium viewed through a framed glass panel, creating a public viewing display of underwater creatures. The drawing is detailed and shaded to create depth and realism.

    Queer Fish

    Mabel Dwight, George C. Miller, American Artists Group

    1936

    Lithograph in black on wove paper  Accession ID  2008.115.1562

    Not on view
  • This is a drawing of a clinic scene. The room is crowded with people, and a central figure in a white coat is examining a child who is crying while held by an adult. Other individuals are present, some observing, preparing, or holding children. The room is dimly lit, with a bright lamp hanging from the ceiling. People are wearing thick garments and hats, suggesting a cold season. In the background, more figures are visible through an open doorway. The scene portrays a moment of maternity care with a focus on interactions between the caregiver, children, and adults.

    Children's Clinic (#2)

    Mabel Dwight, George C. Miller, American Artists Group

    1936

    Lithograph in black  Accession ID  2008.115.1571

    Not on view
  • This is a drawing of a group of elephants in a circus tent. The composition includes several elephants standing in a line under a big top tent, indicated by the scalloped edges at the top right of the image. The elephants are closely positioned, their large forms taking up much of the image. They seem to be drawn with careful attention to texture and shading that highlights their wrinkled skin. The poles and chains in the foreground suggest elements of circus equipment, and there's an indication of a horse's profile on the left side of the image. The entire drawing is marked by a dramatic use of cross-hatching and shading, providing a sense of depth and atmosphere.

    Elephants

    John Steuart Curry, George C. Miller, Associated American Artists

    1936

    Lithograph in black on wove paper  Accession ID  1991.116.29

    Not on view
  • The image shows an industrial landscape with factories and smokestacks emitting smoke. The perspective is slightly elevated, revealing a view of the area. In the distance, there are hills and clouds in the sky. Workers are shown climbing telegraph poles, and there are railroads with trains. A river with a boat and more industrial structures on the opposite shore can be seen. The image is rendered in a monochromatic palette of dark greys and blacks, with shading for depth. The brushwork is detailed, emphasizing the landscape and architecture.

    Steel Valley

    Louis Lozowick, George C. Miller, Associated American Artists

    1936 (published 1942)

    Lithograph in black on wove paper  Accession ID  2015.19.1284

    Not on view
  • The image shows an industrial landscape from an elevated viewpoint. Two workers are climbing a telegraph pole in the foreground. In the background, there are numerous smokestacks emitting dark smoke against a cloudy sky. The horizon line is visible with hills in the distance. The color scheme is mainly gray and black, emphasizing the factory structures. Linear brushstrokes depict the industrial scene, with steam adding movement. A river curves through the valley, with a boat in it.

    Steel Valley

    Louis Lozowick, George C. Miller, Associated American Artists

    1936 (published 1942)

    Lithograph in black on wove paper  Accession ID  2005.99.23

    Not on view
  • The image displays a city skyline with skyscrapers of varying heights creating a jagged silhouette against the sky. The brushstrokes depict meticulous gradation of grey tones to convey depth and emphasize lighting contrasts. The color palette is limited to black, white, and grey. Above the buildings, swirling clouds fan out dramatically, capturing light.

    Storm Clouds above Manhattan

    Louis Lozowick, George C. Miller

    1935

    Lithograph in black on wove paper  Accession ID  2002.98.148

    Not on view
  • The image shows three individuals in a room, each portrayed from different angles. The central figure is fully shown, standing with one hand raised to her head. She has medium-length wavy or curly hair, soft facial features, and is wearing a patterned shirt with short sleeves and dark underwear. The person on the left is bent forward, with their upper body resting on a checkered cloth or blanket draped over their lower body. Their face is partially obscured, and they have short dark hair. On the right, the third figure appears to be standing, holding something to her lips with her left hand while her right arm crosses her body. She has shoulder-length dark hair and is wearing long-sleeved clothing with a high neckline, possibly a sweater. The background shows a plain wall with a subtle texture, a circular mirror attached to the wall above a ledge or shelf centrally, and a tiled floor. The lighting highlights each person against the dark room backdrop.

    Backstage

    Raphael Soyer, George C. Miller

    1935

    Lithograph in black  Accession ID  1943.3.7983

    Not on view
  • This is a drawing of elephants performing in a circus ring. It shows a large group of elephants posing dramatically as part of a circus act, adorned with decorative gear. Bass drums lie at the edge of the ring. The black and white rendering highlights the forms and expressions of the elephants clearly. The setting features circus props and performers interacting with the animals.

    Elephant Act

    Robert Riggs, George C. Miller

    c. 1935

    Lithograph in black on wove paper  Accession ID  1991.116.126

    Not on view
  • The image is a drawing of a person in a portrait style. The person is depicted with their head tilted slightly forward and to the left. They have a prominent nose, closed lips, curly hair under a hat, and a luxurious fur coat or stole. Their hands are raised towards the hat. In the background, there are swirling patterns, a chair, and a glass on a surface to the right of the person.

    Café No. 2

    Yasuo Kuniyoshi, George C. Miller, Hamilton Easter Field Foundation

    1935

    Lithograph in black on wove paper  Accession ID  2002.98.139

    Not on view
  • The image depicts an urban street scene with a low horizon. A building in the distance has a sign that reads "GOOD PREMIUM COAL." A strong diagonal is created by the sidewalk and road. The artist uses detailed brushstrokes in a lithographic style with a monochromatic color palette of varying shades of grey. Figures are seen sitting or lying against a brick wall on the right side, with indistinct posters or signs. More figures are walking along the street toward the building. The sky has softly rendered clouds.

    Waterfront

    Raphael Soyer, George C. Miller, Contemporary Print Group

    1934

    Lithograph in black on wove paper  Accession ID  2002.98.64

    Not on view