George C. Miller

Miller, George

American, 1894 - 1966

Displaying 49 - 60 of 179

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  • The image shows a church and surrounding landscape. The scene is viewed from a slightly elevated vantage point, with the church centrally located. The mountains dominate the upper portion of the scene, blending into the horizon. The church has a gabled roof and a small bell tower. Fine brushstrokes create texture, especially on the mountains and nearby foliage. The color palette is monochromatic, using shades of black, white, and gray. Additional structures and vegetation are faintly visible in the distance.

    Church at Canyoncito

    William Judson Dickerson, George C. Miller, Prairie Print Makers

    1942

    Lithograph in black on wove paper  Accession ID  2015.19.1159

    Not on view
  • Three women are depicted in the image. On the left, a young woman stands in a doorway, wearing a long white gown. In the middle, an older woman sits in a rocking chair, while on the right, another older woman stands, holding a piece of fabric. The room has simple furnishings including a stove and a lamp.

    For the Love of Barbara Allen

    John Stockton de Martelly, George C. Miller, Associated American Artists

    1942

    Lithograph in black on wove paper  Accession ID  1987.41.25

    Not on view
  • ""

    Clowns and the News

    Joseph Hirsch, George C. Miller, Associated American Artists

    1942 (published 1945)

    Lithograph in black on wove paper  Accession ID  2013.121.149

    Not on view
  • The image shows close-up views of the upper bodies of two individuals, focusing on their faces. The person in the foreground is facing forward and wears a headscarf tied under the chin, partially covering the hair. The second person, positioned slightly behind and to the side, is looking downwards toward the first person, their long hair flowing freely. Both individuals are dressed in simple, dark clothing, and there is a button visible on the top garment. The background displays an architectural scene with buildings featuring arched openings and rectangular windows, set against a mountainous landscape under a cloudy sky. No jewelry or additional objects are visible in the image.

    Memories

    Federico Castellón, George C. Miller, Associated American Artists

    1941

    Lithograph in black  Accession ID  2008.115.1183

    Not on view

  • Slow Train through Arkansas

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1941 (published 1942)

    Lithograph in black on wove paper  Accession ID  2015.19.1101

    Not on view
  • The image displays the upper body of a man, focusing on his head and shoulders. The man is portrayed in a three-quarter view, looking slightly downward to his right. He has deeply set eyes, prominent forehead wrinkles, curly hair, and a wide mustache and beard. He wears a dark-colored jacket over a lighter shirt. The background is a neutral, textured surface. No jewelry or objects are visible.

    Aaron

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1941

    Lithograph in black on wove paper  Accession ID  2000.103.1

    Not on view
  • The image shows the upper body of a person wearing a large hat with feathers, touching the hat's brim with one hand. The individual has distinct facial features, deep-set eyes, high cheekbones, and a strong nose. They have a weathered expression, braided hair, and wear a buttoned shirt with a scarf. A decorative ring is on their hand, and they hold feathers in the other. In the background, figures in traditional costumes, including feathered headdresses and animal skins, are dancing. The landscape features rolling plains, distant mountains, and a dynamic sky.

    Comanche Portrait

    Charles Banks Wilson, George C. Miller, Associated American Artists

    1941 (published 1942)

    Lithograph in black  Accession ID  2008.115.555

    Not on view
  • The image depicts a wintry scene with a man chopping wood. The viewpoint is slightly elevated. The sky is filled with dark clouds and snow covers the ground and roofs. The art style is detailed with cross-hatching for texture. The color palette is monochromatic, with black, white, and gray tones.

    The Woodpile

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1939

    Lithograph in black on wove paper  Accession ID  1987.41.11

    Not on view

  • Shrine Quartet

    Grant Wood, George C. Miller, Associated American Artists

    1939

    Lithograph in black  Accession ID  2008.115.290

    Not on view
  • The image shows a rural landscape with a barn, silo, house, porch, chimneys, and a tree. In the foreground, there is a cornfield with rows extending into the distance. The drawing features detailed crosshatching and stippling to create texture and depth. The artwork uses a monochromatic palette of gray to black and white to enhance lighting and shadows, adding a three-dimensional aspect to the illustration.

    Fertility

    Grant Wood, George C. Miller, Associated American Artists

    1939

    Lithograph in black  Accession ID  2008.115.293

    Not on view
  • This is an image showing a group of nuns painting outdoors by a body of water. The drawing features several nuns seated on a flower-filled landscape, each painting scenes in front of them. They are holding artist palettes and paint brushes, focused on their canvases set on easels. In the background, there is a mysterious figure with horns in the water, with arms outstretched. The scenery includes trees, creating a serene yet slightly eerie atmosphere. The image has a monochromatic tone that enhances the dramatic contrast and the peculiar subject matter.

    Great God Pan

    Adolf Dehn, George C. Miller

    1939

    Lithograph on rives paper  Accession ID  1943.3.3371

    Not on view
  • The image shows a snowy landscape with two horses next to a broken wooden fence. Rolling hills covered in snow lead to a small structure. The background features more snow-covered hills and a sky with varying tones of grey. The style is characterized by smooth brushstrokes or shading. The palette is monochromatic with shades of grey, creating a serene winter atmosphere.

    White Pastures

    John Stockton de Martelly, George C. Miller, Associated American Artists

    1939 (published 1940)

    Lithograph in black on wove paper  Accession ID  1987.41.26

    Not on view