Graphicstudio

The Neufert Suite

Guillermo Kuitca, William Lytch, Kyle Olson, Graphicstudio

2002

Suite of six cyanotypes on arches aquarelle wove paper Accession ID 2010.99.4.1-6

Not on view

This image shows a multilingual text displayed on a neutral background. The text includes passages in three different languages arranged in vertical columns with three main titles at the top of the page: "Ti le' napa yaga liibi doo," "Jardín de nudos," and "A garden of knots." Each section narrates a story or describes a topic possibly related to city planning or cultural heritage. The layout features a clear, serif typeface and justified lines, creating a clean and organized appearance. The text is attributed to Alejandro de Ávila at the bottom right.

Garden

Graciela Iturbide, Francisco Toledo, Alejandro de Ávila, Graphicstudio

2002

Letterpress text Accession ID 2007.105.3.2

Not on view

This is a print of text with three columns in different languages. The left column is in an indigenous language, the middle column is in Spanish, and the right column is in English. Each paragraph seems to be a translation of the same story or concept titled "The knot of time" in the English section. The story discusses the ancient practice of weaving time using fibers and knots as symbols indicating the passage of time. The print includes signatures at the bottom from individuals involved in its creation.

Garden

Graciela Iturbide, Francisco Toledo, Alejandro de Ávila, Graphicstudio

2002

Letterpress text Accession ID 2007.105.3.9

Not on view

Europa

Kiki Smith, Graphicstudio

2001/2005

Photogravure on hiromi hp-07 and usuyo gampi papers Accession ID 2007.105.14

Not on view

The image shows bold rectangular black shapes overlaid on a landscape photograph. The rectangles intersect a view of rugged mountains against a cloudy sky, with desert plants in the foreground. The shapes create an abstract composition emphasizing the contrast between angular geometry and organic forms in the landscape.

Noose Around Your Neck

Ed Ruscha, Graphicstudio

2001

Color photogravure on wove somerset satin white paper Accession ID 2007.105.10

Not on view

The image shows a landscape with mountains, a lake, and a cloudy sky. The mountains have snow on their peaks, and the sky is blue with clouds. A blue lake is visible in the foreground. The terrain consists of rocky areas and some vegetation in earthy and green tones.

Be Careful Else We Be Bangin On You, You Hear Me?

Ed Ruscha, Graphicstudio

2001

Color photogravure on somerset satin white wove paper Accession ID 2007.105.7

Not on view

The image includes horizontal rectangular cutouts in a scenic landscape. These shapes disrupt the view of a snow-capped mountain range, overcast sky, and trees along a riverbank. The rectangles create a contrast between the geometric forms and the natural scene.

Do as Told or Suffer

Ed Ruscha, Graphicstudio

2001

Color photogravure on wove somerset satin white paper Accession ID 2007.105.8

Not on view

The image displays four vertical rectangular cutouts arranged in a staggered manner over a photograph of a natural landscape. The rectangles obscure portions of a scenic view showing a mountain with a snow-capped peak in the background, surrounded by evergreen trees. This arrangement resembles a disjointed totem pole, disrupting the continuity of the forest and its reflection in the lake below. The juxtaposition of geometric shapes against the organic forms of nature suggests similarities to windows or screens interrupting the view.

Your a Dead Man

Ed Ruscha, Graphicstudio

2001

Color photogravure on wove somerset satin white paper Accession ID 2007.105.12

Not on view

The image shows three large black rectangular blocks arranged vertically in front of a natural landscape. The background includes a mountain peak, a tall tree with spreading branches, and a forested hillside.

It's Payback Time

Ed Ruscha, Graphicstudio

2001

Color photogravure on wove somerset satin white paper Accession ID 2007.105.9

Not on view

The image shows bold, black rectangular shapes on a natural landscape background. The rectangles disrupt the scenery, which includes pink tree blossoms and a dirt path. The contrast between the abstract shapes and the organic elements creates a striking composition.

You Will Eat Hot Lead

Ed Ruscha, Graphicstudio

2001

Color photogravure on wove somerset satin white paper Accession ID 2007.105.11

Not on view

Lágrimas Negras (Black Tears)

Ibrahim Miranda, Robert Hanning, Marcia Brown, Hank Hine, Deli Sacilotto, Tim Baker, Graphicstudio

2000

Color screenprint and intaglio on arches cover white paper Accession ID 2002.111.17

Not on view

The image displays abstract shapes and lines on a gradient background transitioning from light to deep blue. The form resembles a flowing brushstroke that can be perceived as a silhouette of a bird in flight. Words and phrases are positioned throughout the image in various orientations and overlapping patterns. The text creates a complex play of language on the canvas.

Sky's Four Sides

John Yau, Pat Steir, Jill Lerner, Robert Hanning, Marcia Brown, Hank Hine, Tom Pruitt, Chris Ballantyne, Eric Vontillius, Graphicstudio

2000

Color lithograph and waxtype on somerset satin paper Accession ID 2002.111.30

Not on view

The Neufert Suite

The Neufert Suite

Garden

Garden

Garden

Garden

Europa

Europa

Noose Around Your Neck

Noose Around Your Neck

Be Careful Else We Be Bangin On You, You Hear Me?

Be Careful Else We Be Bangin On You, You Hear Me?

Do as Told or Suffer

Do as Told or Suffer

Your a Dead Man

Your a Dead Man

It's Payback Time

It's Payback Time

You Will Eat Hot Lead

You Will Eat Hot Lead

Lágrimas Negras (Black Tears)

Lágrimas Negras (Black Tears)

Sky's Four Sides

Sky's Four Sides

West Building

East Building

Sculpture Garden

Graphicstudio

Results

West Building

East Building

Sculpture Garden

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