Graphicstudio

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  • The image contains horizontal and vertical lines, a textured pattern in the upper half, streaks, and drips. Below these elements are rows of blurry text on a dark background. The style of the text may resemble an old typewriter or worn-out print.

    Horizon's Levitation

    Pat Steir, John Yau, Marcia Brown, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Yoon Mi Nam, Graphicstudio

    2000

    Color lithograph on somerset satin paper  Accession ID  2002.111.27

    Not on view
  • ""

    Rice

    Liset Castillo, Marcia Brown, Erika Greenberg-Schneider, Hank Hine, Brian Mullen, Chris Ballantyne, Jill Lerner, Jennifer Melko, Robert Hanning, Deli Sacilotto, Graphicstudio

    2000

    Photogravure on somerset textured white paper  Accession ID  2002.111.4

    Not on view
  • The image displays a series of uneven, vertical lines and shapes on a vivid red background. This abstract composition creates an impression of streaks or smudges. White text is partially visible under the abstract lines, resembling letters that are partially washed away.

    Rain Pillow

    Pat Steir, John Yau, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Deli Sacilotto, Graphicstudio

    2000

    Color lithograph  Accession ID  2002.111.28

    Not on view

  • Double Feature

    Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton

    2000

    Photolithograph in black on arches cover white paper  Accession ID  2002.111.1

    Not on view
  • The image displays abstract shapes and lines on a gradient background transitioning from light to deep blue. The form resembles a flowing brushstroke that can be perceived as a silhouette of a bird in flight. Words and phrases are positioned throughout the image in various orientations and overlapping patterns. The text creates a complex play of language on the canvas.

    Sky's Four Sides

    John Yau, Pat Steir, Jill Lerner, Robert Hanning, Marcia Brown, Hank Hine, Tom Pruitt, Chris Ballantyne, Eric Vontillius, Graphicstudio

    2000

    Color lithograph and waxtype on somerset satin paper  Accession ID  2002.111.30

    Not on view
  • ""

    Lágrimas Negras (Black Tears)

    Ibrahim Miranda, Robert Hanning, Marcia Brown, Hank Hine, Deli Sacilotto, Tim Baker, Graphicstudio

    2000

    Color screenprint and intaglio on arches cover white paper  Accession ID  2002.111.17

    Not on view
  • The image shows a dense network of thin black lines on the left side, forming an intricate web-like pattern. On the right side, the lines are sparser and more curvilinear, outlining a human arm and hand, with a hint of a torso and head. This juxtaposes the abstract and representational elements in the image.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.10

    Not on view
  • Black linear shapes resembling two human forearms and hands are elevated upwards against a vivid backdrop. These lines curve and bend, while below them, two red circular forms with green appendages suggest tomatoes with leafy tops.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.9

    Not on view
  • ""

    Abend #2

    Markus Lüpertz, Marcia Brown, Chris Ballantyne, Robert Hanning, Hank Hine, Stefanie Kohn, Erika Greenberg-Schneider, Tom Pruitt, Tim Baker, Jill Lerner, Deli Sacilotto, Graphicstudio

    1999

    Sugarlift aquatint and drypoint on chine collé of okawara japanese paper on somerset textured soft white paper  Accession ID  2002.111.14

    Not on view
  • Curving lines intersect with bold, red circular shapes. The shapes resemble large roses with detailed green leaves. Black lines are intertwined with the floral elements, suggesting a tactile connection to the abstract composition.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.3

    Not on view
  • The image shows bold, sweeping black lines forming an abstract composition. There are curved lines and loops at the top, resembling eye-like shapes. Below them are two forms resembling clenched fists.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.6

    Not on view
  • The image contains distinct shapes and lines in two contrasting sections. On the left are abstract outlines resembling a human form on a white background. On the right, there is a dense area of overlapping lines creating abstract patterns on a white background. These sections highlight the contrast between soft shapes and intricate patterns.

    Title Page

    Robert Creeley, Georg Baselitz, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.1

    Not on view