Past Exhibition

Raphael and America

A woman and two children, all with pale skin and flushed cheeks, sit together in a landscape in this round painting. The woman takes up most of the composition as she sits with her right leg, to our left, tucked under her body. Her other leg, on our right, is bent so the foot rests on the ground, and that knee angles up and out to the side. She wears a rose-pink dress under a topaz-blue robe, and a finger between the pages of a closed book holds her place. Her brown hair is twisted away from her face. She has delicate features and her pink lips are closed. She looks and leans to our left around a nude young boy who half-sits and half-stands against her bent leg. The boy has blond hair and pudgy, toddler-like cheeks and body. The boy reaches his right hand, on our left, to grasp the tall, thin cross held by the second young boy, who sits on the ground next to the pair. This second boy has darker brown hair and wears a garment resembling animal fur. The boy kneels facing the woman and looks up at her and the blond boy. The trio sits on a flat, grassy area in front of a body of water painted light turquoise. Mountains in the deep distance are pale azure blue beneath a nearly clear blue sky.
Raphael, The Alba Madonna, c. 1510, oil on panel transferred to canvas, Andrew W. Mellon Collection, 1937.1.24

Details

  • Dates

    -

  • Locations

    East Building Upper Level
A woman and two children, all with pale skin and flushed cheeks, sit together in a landscape in this round painting. The woman takes up most of the composition as she sits with her right leg, to our left, tucked under her body. Her other leg, on our right, is bent so the foot rests on the ground, and that knee angles up and out to the side. She wears a rose-pink dress under a topaz-blue robe, and a finger between the pages of a closed book holds her place. Her brown hair is twisted away from her face. She has delicate features and her pink lips are closed. She looks and leans to our left around a nude young boy who half-sits and half-stands against her bent leg. The boy has blond hair and pudgy, toddler-like cheeks and body. The boy reaches his right hand, on our left, to grasp the tall, thin cross held by the second young boy, who sits on the ground next to the pair. This second boy has darker brown hair and wears a garment resembling animal fur. The boy kneels facing the woman and looks up at her and the blond boy. The trio sits on a flat, grassy area in front of a body of water painted light turquoise. Mountains in the deep distance are pale azure blue beneath a nearly clear blue sky.
Raphael, The Alba Madonna, c. 1510, oil on panel transferred to canvas, Andrew W. Mellon Collection, 1937.1.24

Overview: 103 objects in the catalogue included paintings, drawings, prints, sculpture, books, photographs, and news clippings. Included were 9 paintings by Raphael. A highlight of the exhibition was the recently cleaned Small Cowper Madonna in the National Gallery's Widener collection. The exhibition was organized to commemorate the 500th anniversary of the birth of Raphael. The 2-part exhibition examined Raphael's historical importance for American artists and collectors and reevaluated his works in American collections.

Organization: David Alan Brown was the curator. Gaillard Ravenel, Mark Leithauser, and Brown designed the exhibition and Gordon Anson designed the lighting.

Sponsor: The exhibition was supported by a grant from the National Italian American Foundation.

Attendance: 193,802

Catalog: Raphael and America, by David Alan Brown. Washington, DC: National Gallery of Art, 1983.

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