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Audubon Paintings and Prints from the Collection of the National Gallery of Art
Closed October 28, 1951
Two rabbits, one white and one gray, lie on a grassy hill in this horizontal painting on paper. On our left, the white rabbit rests so its front paws face us, and it looks slightly off to our left. To our right, the gray rabbit takes up most of the picture with its head near the white rabbit and its tail nearly touching the right edge of the paper. Tiny pen and graphite strokes make up the individual hairs of the rabbits' fur and whiskers. The ground close to us is olive and earth green. Mountains are frosty teal-green in the distance under lavender-gray clouds streaking up and to our left against a blue sky. Two birds fly in the deep distance. Tiny writing in black ink in the top left corner spells "Leach" in the top left corner. A number 1 appears next to the gray rabbit’s head and a number 2 next to the white.
American Paintings from the Collection of the National Gallery of Art
Closed September 10, 1951
The image shows a portrait of a man from the chest upwards. He is turned slightly to his right and depicted gazing towards the viewer. The man has a pale complexion, soft facial features, a slightly rounded face, and light voluminous hair styled away from his face. He is dressed formally in a dark jacket with a high collar and a white cravat at his neck. There are no visible jewelry or objects. The background is a plain, textured, brownish canvas.
Vollard, Connoisseur
Closed April 15, 1951
Four women shown from the waist up to about mid-thigh, engaged in an outdoor activity. Two women in the front are bending over, possibly picking something from the ground, while the two behind them are in mid-movement. The woman on the left has her hair tied back and wears a patterned garment, while the woman beside her has auburn hair in a loose bun and wears a rich red dress with puffed sleeves. Behind them, a woman lifting a bundle on her shoulder wears a dress with wide sleeves and long, dark hair cascading, and another woman holding a similar bundle is in motion. The women's clothing is voluminous and indicative of a historical or pastoral style. The setting is an open field with patches of grass, under a soft blue and white sky, creating a peaceful outdoor scene.
Rosenwald Collection
Closed October 15, 1950
This is a drawing of a theatrical performance in an ornate architectural setting. The scene shows figures in elaborate 18th-century attire on a stage, with a backdrop of arches and columns. The audience is depicted in balconies surrounding the stage. The drawing includes detailed textures for clothing and architecture, with a framed border emphasizing its theatrical nature.
American Paintings from the Collection of the National Gallery
Closed April 2, 1950
Rowlandson Prints
Closed February 27, 1950
The image contains various shapes and lines, including elongated ovals and vertical stripes. A group of people are seated around a long table. The scene includes pointed noses and exaggerated features, resembling caricatures of dining gentlemen. In the background, there is a wall with a framed image labeled "VERSAILLES" and a clock showing the time.
Prints by Adriaen van Ostade
Closed August 21, 1949
The image shows a village scene with several people gathered along a dirt path. In the distance, a church tower emerges among trees. To the right, a large tree spreads its branches over a group of people engaged in interactions by a thatched-roof building. The building's roof is adorned with a flowing flag. The etching technique highlights intricate lines for texture on foliage, clothing, and structures. The color palette is monochrome, emphasizing contrast between light and shadow.
Early Italian Engravings
Closed June 19, 1949
The image shows a group of soldiers with elaborate armor and ceremonial objects. The soldiers are carrying ornate armaments and ceremonial artifacts. The armor, helmets, and spears have detailed engravings and classical antiquity influences. The drawing conveys movement and historical grandeur through precise linework.
American Paintings from the Collection of the National Gallery of Art
Closed April 10, 1949
This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression. She has curly brown hair that is in an updo, with small curls framing her forehead. She is wearing a short-sleeved black dress with a square, lace-trimmed neckline, and has a bright red shawl draped over her shoulders. The background is a solid dark brown color.
Prints by James McNeill Whistler
Closed July 16, 1948
The image depicts a harbor scene with a variety of maritime activities. In the foreground, a figure in a mariner's outfit leans on a wooden rail. To the right, two individuals are rowing a small boat. Larger ships are docked in the background, with ropes and sails visible. Buildings and signs populate the horizon, suggesting a commercial area. The artwork uses a detailed etching technique with a warm monochromatic color palette, evoking history and classicism. The scene is intricate and detailed, capturing the essence of the bustling harbor.
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