Medieval and Renaissance Sculptures and Decorative Arts

The sculpture on the ancient coin features two figures. On the left, a figure is seated on a folding chair, dressed in a classical toga or robe. Their hair is styled in wavy locks. On the right, a standing figure is shown leaning on a large amphora-like vessel with one hand and gesturing towards the seated figure with the other. Between the two figures is a tall palm tree. The sculpture is crafted from bronze, giving it a dark brown color with areas of lighter sheen. Surrounding the figures are inscriptions and markings, including "NERO AVG" at the bottom. The circular sculpture has two small holes, possibly for mounting.

The Death of Seneca [reverse]

Antonio Averlino, called Filarete

c. 1445/1449

Bronze Accession ID 1957.14.795.b

On View: West Building Ground Floor, Gallery G16

The sculpture depicts multiple human figures engaged in a scene that suggests a struggle or conflict. The central figure is in a prominent stance in the foreground, surrounded by other human forms. In the background, there are horses and armored soldiers. The sculpture is made of bronze with a green to brown patina, emphasizing its intricate detailing and high-relief carving. It is mounted on a rectangular base and features architectural elements like arches and columns in the background.

The Flagellation

Moderno

late 15th - early 16th century

Bronze Accession ID 1942.9.242

On View: West Building Ground Floor, Gallery G16

The sculpture depicts a circular medallion with an intricate relief carving. In the center, there is a female figure with arms lifted, holding an object above her head. Surrounding her are several other figures in various poses — one kneeling and others standing or gesturing towards the central figure. The medallion has a golden-brown hue and appears to be made of a metal, possibly bronze or a similar alloy. It has a lustrous appearance and a decorative border around the edge. The text "NVMQ: DEFICIT" is inscribed at the bottom. The sculpture shows an elaborate scene with detailed figures, displaying a high level of artistry and attention to detail.

The Fountain of the Sciences

Jacopo Nizzola da Trezzo

c. 1550

Bronze Accession ID 1942.9.237

On View: West Building Ground Floor, Gallery G16

The sculpture displays a religious scene with a central figure seated, holding a child. Surrounding them are additional figures, including two men in robes and headgear on the left, and others on the right. The sculpture is crafted in relief on an oval plaque, with intricate details, a warm brown color with gold highlights, and ornate edge decorations.

The Madonna of the Rosary

Anonymous Artist

mid 16th century

Bronze Accession ID 1942.9.227

On View: West Building Ground Floor, Gallery G16

Tommaso Rangone, 1493-1577, Physician of Ravenna [obverse]

Alessandro Vittoria

1552/1558

Bronze Accession ID 1957.14.1094.a

On View: West Building Ground Floor, Gallery G16

The sculpture is a round, medallion-like piece with several figures in relief. At the center stands a winged figure holding a shield adorned with a floral motif, flanked by other human forms. To the left is a nude male holding branches, while on the right is a figure shown crafting with a hammer raised over an anvil. In the foreground, two horses are grazing. The sculpture is made of a bronze-like material with a warm, golden-brown hue that highlights the intricate detailing of the characters. There is a small hole at the top, suggesting it may have been intended for suspension or display.

Vulcan Forging the Arms of Aeneas

Paduan 16th Century

early 16th century

Bronze//very light brown patina Accession ID 1957.14.388

On View: West Building Ground Floor, Gallery G16

Pax with the Annunciation

German 16th Century, Netherlandish 16th Century, Italian 16th Century

c. 1500 (shell cameo); c. 1500/1520 (setting)

Shell, gilded silver, copper, and enamel Accession ID 1942.9.286

On View: West Building Ground Floor, Gallery G18

The sculpture features a person sitting atop a highly decorated base. The person is a man with horns, cloven feet, and a muscular torso. He is nude except for a leaf covering his groin, and he holds a pan flute. He looks up and to the left with an open mouth. Below the seated man, the base of the sculpture is adorned with intricate patterns and reliefs, including winged people, human faces, shells, animals, and cherubs. The sculpture is on a base supported by crouching figures. The sculpture is made of dark-gray material with a metallic sheen, giving it a monochromatic appearance.

Incense Burner

Paduan 16th Century, Venetian 16th Century

c. 1560/1580

Bronze Accession ID 1942.9.139

On View: West Building Ground Floor, Gallery G19

A Sculptor Carving a Statue of Cupid

Moderno

late 15th - early 16th century

Bronze//dark brown patina(laquer on body of child rubbed) Accession ID 1957.14.335

On View: West Building Ground Floor, Gallery G16

This is a photograph of a sculpted medallion. The medallion features an embossed design showcasing a seated figure in the center, flanked by other figures participating in a ceremonial crowning. The design has intricate details such as clothing folds and texture of the figures. Around the medallion's edge, inscriptions can be seen. It appears to be made of metal with traces of wear and patina. The craftsmanship shows classical influences, possibly from the Renaissance period.

Alfonso Crowned by Mars and Bellona [reverse]

Cristoforo di Geremia

c. 1458

Bronze Accession ID 1957.14.804.b

On View: West Building Ground Floor, Gallery G16

Alfonso I d'Este, 1476-1534, 3rd Duke of Ferrara, Modena and Reggio 1505 [obverse]

Niccolò Fiorentino

1492

Bronze Accession ID 1957.14.850.a

On View: West Building Ground Floor, Gallery G16

The sculpture features a group of figures in a dynamic scene. The figures are mostly depicted nude or partially draped in cloth. The scene appears lively and communal, with individuals engaged in various activities or interactions. The material of the sculpture appears to be metal, likely bronze, with an aged patina. The sculpture is a rectangular panel with a slightly curved form. The figures in the relief stand out with a three-dimensional quality, illustrating intricate details of muscle, facial expressions, and accessories.

An Assembly of Gods

Venetian 15th Century, Venetian 16th Century

late 15th - early 16th century

Bronze//dark laquer (much rubbed) over light brown bronze Accession ID 1957.14.374

On View: West Building Ground Floor, Gallery G16