Medieval and Renaissance Sculptures and Decorative Arts

On View: West Building, Ground Floor

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452 artworks on view.

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The sculpture is a circular medallion with a relief depicting a charioteer in a dynamic scene involving four rearing horses. The horses are shown mid-motion, with their manes flowing and limbs extended. The charioteer, positioned behind the horses, is muscular. The background features trees and clouds. The sculpture is crafted from a material that appears to be a form of bronze or a similar metal, displaying a rich brown color with a smooth, slightly aged patina. The medallion is detailed and small, possibly intended for close viewing as a decorative or commemorative piece.

Death of Hippolytus

Moderno

late 15th - early 16th century

Bronze//dark brown patina  Accession ID  1957.14.313

On View: West Building, Ground Floor, Gallery G16
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The image shows a bas-relief on a coin with a profile portrait of a woman. The woman has intricate, flowing hair with a laurel wreath. She is wearing Greco-Roman attire, indicated by draped clothing and a classical hairstyle. The coin is bronze-colored and has inscriptions in ancient Greek script. The sculpture resembles an ancient coin, with a detailed depiction of the woman's face and clothing.

Dido, Queen of Carthage [obverse]

Alessandro Cesati, called Il Grechetto

16th century

Bronze  Accession ID  1957.14.961.a

On View: West Building, Ground Floor, Gallery G16
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The sculpture is a circular medallion featuring a profile portrait of a woman facing left. The subject is a classical female figure with detailed hair, including braids and decorative elements. The medallion is made of a copper-colored material, possibly bronze. Around the edges are inscriptions. The sculpture has gentle wear, suggesting age.

Elisabetta Querini, died 1559, Daughter of Francesco Querini of Venice, Wife of Lorenzo Masolo, Widowed 1556 [obverse]

Danese Cattaneo

16th century

Bronze  Accession ID  1957.14.1012.a

On View: West Building, Ground Floor, Gallery G16
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The image shows a bronze medallion with a reclining, nude male figure. The man is leaning against a wooden structure with his right arm resting atop it. The sculpture is in bronze, giving it a reddish-brown color typical of oxidized bronze finishes. The man appears relaxed, holding an object in his left hand. Above him, there is a celestial object, possibly a shooting star or comet, with a trailing tail. An inscription in Latin, "HOC FVGIENTI FORTVNAE DICATVS," encircles the medallion.

Female Figure Holding a Bridle [reverse]

Adriano Fiorentino

c. 1495/1499

Bronze  Accession ID  1957.14.700.b

On View: West Building, Ground Floor, Gallery G16
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The image shows a detailed coin featuring an embossed depiction of a mounted armored knight on a horse. Surrounding the central image, there are engraved inscriptions in an ornate font. The knight and horse are intricately detailed, with elaborate armor and saddle design. The coin conveys a sense of regality and historical significance.

Ferdinand I, 1503-1564, Archduke of Austria 1519, Holy Roman Emperor 1556 [obverse]

German 16th Century, Austrian 16th Century

1541

Silver//cast after a struck original  Accession ID  1957.14.1217.a

On View: West Building, Ground Floor, Gallery G16
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The image shows a circular medallion featuring the profile of a man's bust. The etched text around the edge reads: "FERDINAND FRAN. D'AVALOS DEAQUIN." The subject has a beard and curled hair, wearing detailed armor and a ruffled collar. The medallion is likely made of bronze or a similar metal, with a greenish patina. The relief work is precise, with lifelike features in the man's face and attire.

Fernando Francesco II d'Avalos, c. 1530-1571, Marquess of Pescara [obverse]

Annibale Fontana

c. 1562

Bronze  Accession ID  1957.14.1035.a

On View: West Building, Ground Floor, Gallery G16
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The sculpture is a relief on a round object, possibly a coin or medallion. There are three full-length human figures in relief. The figure on the left appears nude, while the other two are dressed in draped garments. All figures are standing with relaxed postures, some with one arm raised. The rightmost figure holds a small object resembling a bird. To the far left and far right, there are additional elements that could be smaller relief figures or objects. The border of the sculpture is adorned with a beaded edge and writing above the figures. The sculpture is made of bronze with a dark brown color and hints of green patina. The relief work provides texture and depth, making the images stand out against the background.

Fortune, Mars, and Minerva [reverse]

Antico

1486/1490

Bronze  Accession ID  1957.14.664.b

On View: West Building, Ground Floor, Gallery G16
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The sculpture is a medallion featuring a relief portrait of a man in a half-turn pose with a serious expression. The man is depicted wearing a hat, a garment with a fur collar, and a chain. The circular medallion contains inscriptions in Latin around its border. It is made of a metallic material, likely bronze or brass, giving it a muted brownish-gold color. The craftsmanship highlights textures of clothing and facial features, creating a lifelike resemblance. The sculpture is compact and detailed, standing out against a plain background.

Francisco de los Cobos, c. 1475/1480-1547, Privy Counselor and Chancellor, Art Patron [obverse]

Christoph Weiditz the Elder

1531

Lead  Accession ID  1957.14.1183.a

On View: West Building, Ground Floor, Gallery G16
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The image shows a round sculptural relief depicting the profile of a man with distinguished facial features, including a prominent nose and a flowing beard. He is wearing detailed clothing that suggests a historic or noble status, with embellishments that might indicate rank or position. The sculpture is rendered in a bronze material, giving it a warm, metallic brown color with reflective qualities. The circular design includes an inscription that runs around the edge.

Gianfrancesco Trivulzio, 1504-1573, Marquess of Vigevano 1518 and Count of Mesocco 1518-1549 [obverse]

Pier Paolo Galeotti

c. 1543

Bronze  Accession ID  1957.14.1099.a

On View: West Building, Ground Floor, Gallery G16
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The sculpture is a profile portrait of a woman on a circular medal. The woman is depicted facing right with an intricate hairdo and a detailed dress. The material is dark bronze with reddish-brown patina, and there is an inscription around the edge in a Roman typeface.

Girolama Sacrati

Pastorino de' Pastorini, called Pastorino da Siena

1555

Bronze//cast hollow  Accession ID  1957.14.923

On View: West Building, Ground Floor, Gallery G16
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The sculpture is a round medallion featuring three human faces with curly hair arranged in a row facing forward. The central face is the most prominent. The medallion is dark brown, likely made of bronze or a similar metal. Intricate carvings surround the faces, including two cornucopias filled with wheat and fruit. The top inscription reads “OPVS” and the bottom reads “PISANI.PICTORIS.” There is a small hole at the top for suspension. The design suggests a functional and artistic object from the past, intended for close viewing due to its size as a medallion.

Head with Three Infantile Faces [reverse]

Pisanello

c. 1440/1444

Bronze  Accession ID  1957.14.598.b

On View: West Building, Ground Floor, Gallery G16
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The sculpture is an oval-shaped relief featuring two figures in a dynamic pose. The main subject appears to be a muscular, bearded man holding another figure, which is suspended in the air. The figures are set against a plain backdrop with a stick-like object visible to the right of the pair. The sculpture is crafted from a bronze-like material with a smooth, polished surface. The detailing is precise, particularly in the musculature and the hair of the figures. The sculpture is relatively small, with a hole at the top.

Hercules and Antaeus

Florentine 16th Century

mid 16th century

Bronze//light brown patina  Accession ID  1957.14.505

On View: West Building, Ground Floor, Gallery G16
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