Medieval and Renaissance Sculptures and Decorative Arts

On View: West Building, Ground Floor

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455 artworks on view.

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The sculpture is a round medallion featuring three human faces with curly hair arranged in a row facing forward. The central face is the most prominent. The medallion is dark brown, likely made of bronze or a similar metal. Intricate carvings surround the faces, including two cornucopias filled with wheat and fruit. The top inscription reads “OPVS” and the bottom reads “PISANI.PICTORIS.” There is a small hole at the top for suspension. The design suggests a functional and artistic object from the past, intended for close viewing due to its size as a medallion.

Head with Three Infantile Faces [reverse]

Pisanello

c. 1440/1444

Bronze  Accession ID  1957.14.598.b

On View: West Building Ground Floor, Gallery G16
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The sculpture is an oval-shaped relief featuring two figures in a dynamic pose. The main subject appears to be a muscular, bearded man holding another figure, which is suspended in the air. The figures are set against a plain backdrop with a stick-like object visible to the right of the pair. The sculpture is crafted from a bronze-like material with a smooth, polished surface. The detailing is precise, particularly in the musculature and the hair of the figures. The sculpture is relatively small, with a hole at the top.

Hercules and Antaeus

Florentine 16th Century

mid 16th century

Bronze//light brown patina  Accession ID  1957.14.505

On View: West Building Ground Floor, Gallery G16
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Innocence and Unicorn in a Moonlit Landscape [reverse]

Pisanello

1447

Lead  Accession ID  1957.14.609.b

On View: West Building Ground Floor, Gallery G16
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This is a photograph of a bronze medallion with a profile image of a woman with an elaborate hairstyle, detailed clothing, and jewelry. There is an inscription around the edge with punctuating dots. The medallion shows intricate artistry and craftsmanship, capturing delicate features and adornments with precision.

Ippolita Gonzaga, 1535-1563, Daughter of Ferdinando [obverse]

Jacopo Nizzola da Trezzo

1552

Bronze  Accession ID  1957.14.1031.a

On View: West Building Ground Floor, Gallery G16
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Isabella di Capua, 1509-1559, Princess of Molfetta, Wife of Ferrante Gonzaga 1534 [obverse]

Jacopo Nizzola da Trezzo

c. 1550

Lead//after-cast  Accession ID  1957.14.1032.a

On View: West Building Ground Floor, Gallery G16
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The image shows a medallion featuring a side profile of a man with curly hair and a short beard, wearing a buttoned-up garment with a high collar. The medallion is circular with text inscribed along the edge saying "IAC . ANT . SORRA." The material of the sculpture seems to be a reddish-brown metal, likely copper, giving it a distinct color and texture. The man's profile is presented in relief against the flat background of the medallion, providing clear visibility of his facial features and clothing details.

Jacopo Antonio Sorra [obverse]

Antonio Abondio

1561

Bronze  Accession ID  1957.14.1062.a

On View: West Building Ground Floor, Gallery G16
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The sculpture is a circular medallion featuring the profile of a man facing to the right. The subject has a detailed beard, wears a hat, and is clad in a garment with elaborate folds and a collar. The medallion is made of a bronze-like material, with a warm, brownish patina that emphasizes the various textures and intricate details of the man's attire and facial features. Surrounding the profile is an inscription that runs along the edge of the medallion. The sculpture appears like a traditional medallion or coin.

Johann Fichard, 1512-1581, Syndic of Frankfurt am Main [obverse]

Hans Bolsterer

1547

Bronze  Accession ID  1957.14.1203.a

On View: West Building Ground Floor, Gallery G16
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The sculpture is a medallion with the profile of a man facing to the right. The subject has a full beard and short, textured hair. The attire suggests high status, with ornate patterns and fine detailing. The medallion is made of a metallic material, possibly silver, with a subdued sheen and grayish color. An inscription surrounds the portrait along the circular edge of the medallion. The craftsmanship highlights the facial features and texture of the clothing.

Johann Frederich, 1503-1554, Elector of Saxony 1532 [obverse]

Matthes Gebel

c. 1532

Base silver  Accession ID  1957.14.1291.a

On View: West Building Ground Floor, Gallery G16
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The sculpture features a man depicted in a relief on a round medal. He is shown holding a sword upright and dressed in ornate clothing with intricate patterns and textures. His beard and hair are detailed, and the material appears metallic with a silver-like sheen. Surrounding the portrait are engraved inscriptions on the border of the medal. The sculpture is relatively small, similar in size to a large coin.

Johann Friedrich, 1503-1554, Elector of Saxony 1532 [obverse]

Hans Reinhart the Elder

1535

Silver  Accession ID  1957.14.1201.a

On View: West Building Ground Floor, Gallery G16
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The sculpture shows a group of figures surrounding a central reclining figure, appearing to be a male with defined musculature. The figures are depicted in various poses, some with downcast expressions. All figures wear draped garments. In the background, there are hills, trees, a walled city, and three crosses. The sculpture is made of golden material, giving it a rich appearance. It is crafted as a relief, with figures and landscape elements subtly protruding from the surface.

Lamentation Over the Dead Christ

Emilian 16th Century

second quarter 16th century

Bronze//yellowish patina  Accession ID  1957.14.533

On View: West Building Ground Floor, Gallery G16
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Large dish with segmental border of half plant sprays and scale pattern; in the center, profile bust of a woman

Deruta 16th Century

c. 1515/1540

Tin-glazed earthenware (maiolica)  Accession ID  1942.9.324

On View: West Building Ground Floor, Gallery G16
The sculpture is an oval-shaped relief depicting multiple figures. At the center is a nude female figure interacting with a large swan, surrounded by putti. The scene includes detailed elements such as the curves of the woman's body, the texture of the swan's wings, and the expressions of the putti. The sculpture is made of a bronze-like material, giving it a warm, golden-brown color. The composition appears intricately detailed, with each figure positioned dynamically, creating movement and interaction within the scene.

Leda and the Swan

Italian 16th Century

16th century

Bronze  Accession ID  1942.9.226

On View: West Building Ground Floor, Gallery G16
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