Crown Point Press

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  • The image consists of a large yellow square within a beige square with dark, erratic lines etched on it. The composition suggests a picture frame or a window, with the bright square resembling sunlight. The contrast between the solid color and textured border is notable.

    (Image 2)

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper  Accession ID  2001.142.95.2

    Not on view
  • The image contains a black square in the center, surrounded by chaotic lines and scribbles. The lines create a textured border around the square.

    (Image 4)

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper  Accession ID  2001.142.95.4

    Not on view
  • The image shows a rectangular shape outlined delicately in the center of a cream-colored canvas. Within this rectangle, various words are sparsely and faintly distributed in a grid-like fashion, including "PLEASE," "OTHER," "TENTATIVE," "ACT," and "MISSED." The overall design is sparse, with the spatial arrangement of the words creating a subtle texture against the backdrop.

    Untitled from Suite Six

    Robert Barry, John Slivon, Crown Point Press

    1978

    One from a portfolio of six etchings in gray on wove rives bfk paper  Accession ID  1998.40.14.4

    Not on view
  • This is a drawing of a minimalistic landscape scene. It features a small, detailed sketch at the center of a large, mostly empty piece of paper. The sketch includes a simple line drawing of a natural element, perhaps a tree or branch, and abstract shapes that suggest terrain or small objects. The surrounding negative space on the paper highlights the central composition, giving it an airy and understated feel. The style is minimalist, using simple lines and gestures to imply more than what is explicitly drawn. Handwritten text in the lower right section may provide context or additional meaning to the artwork.

    7

    Dan Flavin, Crown Point Press, Stephen Thomas, Lilah Toland

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.7

    Not on view
  • The image shows a sketched outline of a person in partial profile view from the head to just below the shoulders. The sketch is minimalistic, showing suggestions of facial features, hair, a type of hat, and some form of clothing. The person is standing upright with no visible accessories. The sketch is on a white page with faint handwritten text below it.

    3

    Dan Flavin, Crown Point Press, Lilah Toland, Stephen Thomas

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.3

    Not on view
  • The image shows intersecting black lines on a light beige canvas. The lines are concentrated in a rectangular section at the bottom right corner, creating a tangled pattern resembling a bird's nest or bramble patch. The rest of the canvas is blank.

    Day One from Seven Day Diary (Not Knowing)

    John Cage, Stephen Thomas, Crown Point Press

    1978

    Etching and drypoint from a portfolio of seven etchings and drypoints on wove rives paper  Accession ID  1996.93.26.1

    Not on view
  • The image depicts text scattered around the edges of a blank background. The words are sparsely positioned and vertically oriented along the sides.

    Five (II) from Five

    Robert Barry, John Slivon, Crown Point Press

    1978

    One from a portfolio of five etchings in gray on wove arches satiné paper  Accession ID  1998.40.9.2

    Not on view
  • The image includes a rectangular section filled with intricate black lines and splatters centered on a plain, cream-colored background. The abstract section features branching lines resembling tangled roots or veins on a leaf. The surrounding space is simple and minimalistic, emphasizing the complexity of the central design.

    Day Five from Seven Day Diary (Not Knowing)

    John Cage, Stephen Thomas, Crown Point Press

    1978

    Etching, drypoint, softground etching, sugarlift aquatint, photo-etching, and impressions from inked found objects from a portfolio of seven etchings and drypoints on wove rives paper  Accession ID  1996.93.26.5

    Not on view
  • The image shows faint lines forming a large square within a rectangular canvas. Scattered within this space are a few small, lightly printed words.

    Untitled from Suite Six

    Robert Barry, John Slivon, Crown Point Press

    1978

    One from a portfolio of six etchings in gray on wove rives bfk paper  Accession ID  1998.40.14.5

    Not on view
  • ""

    Five

    Robert Barry, John Slivon, Crown Point Press

    1978

    Unbound portfolio of five etchings in gray on wove arches satiné paper  Accession ID  1998.40.9.1-5

    Not on view
  • The image is a minimalist abstract composition with subtle lines or shapes that are almost imperceptible. Small, printed words are scattered across the canvas, resembling sparse constellations. The words connect like a network, suggesting abstract connections. The design encourages the viewer to connect these textual points, similar to piecing together a puzzle or decoding a message.

    Five (III) from Five

    Robert Barry, John Slivon, Crown Point Press

    1978

    One from a portfolio of five etchings in gray on wove arches satiné paper  Accession ID  1998.40.9.3

    Not on view
  • ""

    Line Fever

    William T. Wiley, Crown Point Press

    1978

    Softground etching in black on rives heavyweight buff paper  Accession ID  1998.40.485

    Not on view