Crown Point Press

Displaying 1621 - 1632 of 1740

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  • Day Five from Seven Day Diary (Not Knowing)

    John Cage, Stephen Thomas, Crown Point Press

    1978

    Etching, drypoint, softground etching, sugarlift aquatint, photo-etching, and impressions from inked found objects from a portfolio of seven etchings and drypoints on wove rives paper  Accession ID  1996.93.26.5

    Media for this artwork is unavailable and the object is not on view.

  • (Image 1)

    Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

    1978

    Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper  Accession ID  2001.142.95.1

    Media for this artwork is unavailable and the object is not on view.

  • Day Two from Seven Day Diary (Not Knowing)

    John Cage, Stephen Thomas, Crown Point Press

    1978

    Etching, drypoint, and softground etching from a portfolio of seven etchings and drypoints on wove rives paper  Accession ID  1996.93.26.2

    Media for this artwork is unavailable and the object is not on view.

  • 1

    Dan Flavin, Crown Point Press, Stephen Thomas, Lilah Toland

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.1

    Media for this artwork is unavailable and the object is not on view.
  • ""

    Line Fever

    William T. Wiley, Crown Point Press

    1978

    Softground etching in black on rives heavyweight buff paper  Accession ID  1998.40.485

    Media for this artwork is unavailable and the object is not on view.

  • Second Sails [4] from Second Sails

    Dan Flavin, Crown Point Press

    1978

    One from a portfolio of eight hardground etchings on wove arches paper  Accession ID  1997.8.53.1

    Media for this artwork is unavailable and the object is not on view.

  • 8

    Dan Flavin, Crown Point Press, Lilah Toland, Stephen Thomas

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.8

    Media for this artwork is unavailable and the object is not on view.

  • Day Four from Seven Day Diary (Not Knowing)

    John Cage, Stephen Thomas, Crown Point Press

    1978

    Etching, drypoint, softground etching, sugarlift aquatint, and photo-etching from a portfolio of seven etchings and drypoints on wove rives paper  Accession ID  1996.93.26.4

    Media for this artwork is unavailable and the object is not on view.

  • Second Sails [9] from Second Sails

    Dan Flavin, Crown Point Press

    1978

    One from a portfolio of eight hardground etchings on wove arches paper  Accession ID  1997.8.53.6

    Media for this artwork is unavailable and the object is not on view.

  • 5

    Dan Flavin, Crown Point Press, Stephen Thomas, Lilah Toland

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.5

    Media for this artwork is unavailable and the object is not on view.
  • ""

    Five

    Robert Barry, Crown Point Press

    1978

    Portfolio of five etchings in gray on wove arches satiné paper  Accession ID  1998.40.9.1-5

    Media for this artwork is unavailable and the object is not on view.

  • Two Scores

    Steve Reich, Crown Point Press, Christine Bates, John Slivon

    1978

    Photo-etching in black on german etching wove paper  Accession ID  2001.142.93.a

    Media for this artwork is unavailable and the object is not on view.