Crown Point Press

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  • This is a drawing of a small, abstract figure. The drawing features a diminutive, sketch-like representation centered within the page, surrounded by a large expanse of empty space. The figure is depicted with minimal lines. The entire composition gives a sense of minimalism and introspection, with the sparse detail inviting the viewer to focus on the form and movement suggested by the line work. The surrounding negative space enhances the prominence of the figure, creating a balance between emptiness and detail.

    8

    Dan Flavin, Crown Point Press, Lilah Toland, Stephen Thomas

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.8

    Not on view
  • This is a drawing of a bird perched on a vertical element. The artwork shows a minimalist depiction of a bird resting on a branch or pole. The bird is illustrated in fine lines in the center of the canvas, with a large amount of empty space surrounding it. This sparse detailing emphasizes the bird, creating a feeling of solitude and calm in the scene.

    6

    Dan Flavin, Crown Point Press, Stephen Thomas, Lilah Toland

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.6

    Not on view
  • ""

    O.T.P.A.G.

    William T. Wiley, Stephen Thomas, Crown Point Press

    1978

    Color monoprint  Accession ID  1985.76.9

    Not on view
  • The image shows a narrow rectangular frame filled with a web of thin black lines crisscrossing in various directions. The abstract composition resembles a chaotic tangle, similar to twisted threads or a thicket of brambles. This central vertical strip is surrounded by a large expanse of blank, light-colored space, emphasizing the intricate line work.

    Day Three from Seven Day Diary (Not Knowing)

    John Cage, Stephen Thomas, Crown Point Press

    1978

    Etching, drypoint, softground etching, and sugarlift aquatint from a portfolio of seven etchings and drypoints on wove rives paper  Accession ID  1996.93.26.3

    Not on view
  • The image shows a small sketch of a person holding an umbrella, with minimal facial details. They are wearing a short-sleeved top and striped bottoms, standing on a blank background. Below the sketch, there is penciled writing on the paper. The surrounding area is off-white with rough-edged paper, emphasizing the central drawing and text.

    1

    Dan Flavin, Crown Point Press, Stephen Thomas, Lilah Toland

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.1

    Not on view
  • The image shows a sketched outline of a person in partial profile view from the head to just below the shoulders. The sketch is minimalistic, showing suggestions of facial features, hair, a type of hat, and some form of clothing. The person is standing upright with no visible accessories. The sketch is on a white page with faint handwritten text below it.

    3

    Dan Flavin, Crown Point Press, Lilah Toland, Stephen Thomas

    1978

    One of 9 drypoints with colophon page on arches satine paper  Accession ID  2001.142.34.3

    Not on view
  • The image depicts text scattered around the edges of a blank background. The words are sparsely positioned and vertically oriented along the sides.

    Five (II) from Five

    Robert Barry, John Slivon, Crown Point Press

    1978

    One from a portfolio of five etchings in gray on wove arches satiné paper  Accession ID  1998.40.9.2

    Not on view
  • The image includes a rectangular section filled with intricate black lines and splatters centered on a plain, cream-colored background. The abstract section features branching lines resembling tangled roots or veins on a leaf. The surrounding space is simple and minimalistic, emphasizing the complexity of the central design.

    Day Five from Seven Day Diary (Not Knowing)

    John Cage, Stephen Thomas, Crown Point Press

    1978

    Etching, drypoint, softground etching, sugarlift aquatint, photo-etching, and impressions from inked found objects from a portfolio of seven etchings and drypoints on wove rives paper  Accession ID  1996.93.26.5

    Not on view
  • The image shows faint lines forming a large square within a rectangular canvas. Scattered within this space are a few small, lightly printed words.

    Untitled from Suite Six

    Robert Barry, John Slivon, Crown Point Press

    1978

    One from a portfolio of six etchings in gray on wove rives bfk paper  Accession ID  1998.40.14.5

    Not on view
  • ""

    Five

    Robert Barry, John Slivon, Crown Point Press

    1978

    Unbound portfolio of five etchings in gray on wove arches satiné paper  Accession ID  1998.40.9.1-5

    Not on view
  • The image is a minimalist abstract composition with subtle lines or shapes that are almost imperceptible. Small, printed words are scattered across the canvas, resembling sparse constellations. The words connect like a network, suggesting abstract connections. The design encourages the viewer to connect these textual points, similar to piecing together a puzzle or decoding a message.

    Five (III) from Five

    Robert Barry, John Slivon, Crown Point Press

    1978

    One from a portfolio of five etchings in gray on wove arches satiné paper  Accession ID  1998.40.9.3

    Not on view
  • ""

    Line Fever

    William T. Wiley, Crown Point Press

    1978

    Softground etching in black on rives heavyweight buff paper  Accession ID  1998.40.485

    Not on view