Crown Point Press

This is a photograph of a 10,000 Lira banknote. The image features intricate designs and an engraving of an architectural plaza or square. The building is flanked by ornamental statues and detailed carvings are visible. The denomination '10,000' is prominently printed at the top and bottom edges of the note, along with ornate geometric patterns and an empty oval on the right side. A security feature, in the form of a guilloché pattern, is the focal point on the left side.

Diecimila [verso]

Chris Burden, John Slivon, Crown Point Press

1977

Photo-etching with colored pencil on don farnsworth handmade paper Accession ID 1997.8.35.b

Not on view

Bending Light

Tom Marioni, Crown Point Press

1977

Softground etching in yellow on rives bfk paper Accession ID 1998.40.356

Not on view

The image shows a small circle in the center of a blank canvas. The circle is filled with a grayscale abstract pattern of crosshatched lines. The overall composition is simple and minimalistic, with the circle serving as the focal point.

6 from Landing [artist's proof]

Tom Marioni, Doris Simmelink, Crown Point Press

published 1977

One from a portfolio of six mezzotints in gray on wove paper [artist's proof] Accession ID 1991.207.4.6

Not on view

Religious Picture

Tom Marioni, Crown Point Press

1977

Softground etching in gold with gold leaf applied by hand on rives bfk paper Accession ID 1998.40.364

Not on view

The image shows intersecting straight lines and shapes forming an abstract composition. Thick and thin lines create a rectangular frame around the edges, with X-shapes crossing the center and additional vertical and horizontal lines adding complexity.

#1 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Drypoint from a portfolio of five drypoints and three etchings on wove german etching paper Accession ID 1996.77.4.1

Not on view

The image shows intersecting white lines and curves against a dark background in an abstract composition. The lines create fluid motion and form an 'X' shape in the center. The composition suggests movement and connectivity, evoking natural phenomena like wind or flight paths.

Landing [artist's proof]

Tom Marioni, Crown Point Press, Doris Simmelink

published 1977

Mezzotint in gray on cream rives paper [artist's proof] Accession ID 1991.207.10

Not on view

The image displays intersecting lines of various thicknesses forming an oval shape on a blank canvas. The lines create a grid-like composition resembling an architectural blueprint or a map with streets. The crisscrossing lines divide the space into sections, adding movement. The oval shape may suggest an archway or a focal point within the design.

#4 from Nine Drypoints and Etchings [artist's proof]

Richard Diebenkorn, John Slivon, Crown Point Press

1977

Drypoint from a portfolio of six drypoints and three etchings on wove rives bfk paper [artist's proof] Accession ID 1996.77.12.4

Not on view

The image shows intersecting and overlapping straight and curved lines forming a geometric pattern. The drawing resembles a blueprint or technical drawing with precise lines crisscrossing the page. The straight lines could suggest architectural beams and frames, while the curves may evoke tension or flexibility similar to stretched wires or sails. The arrangement balances linear rigidity and fluidity in its abstract design.

#9 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Etching from a portfolio of five drypoints and three etchings on wove german etching paper Accession ID 1996.77.4.8

Not on view

The image contains two rectangular grids filled with letters and numbers, set against a blank background. The left grid shows intersecting lines forming an X, while the right grid displays a faded pattern within a vertical rectangle. Above each grid, there are three colored lines, and below the grids, small ovals with splotches of color are present.

Marking Time

Pat Steir, Patrick Foy, Doris Simmelink, Crown Point Press

1977

Color drypoint with graphite and colored pencil additions on wove rives bfk paper Accession ID 2006.122.121

Not on view

Abstract black lines intersect to create geometric shapes on a white background. A large triangular shape is featured at the center, with a grid-like pattern above it, forming shapes resembling letters or symbols such as "X," "I," and a square. The composition evokes a minimalistic architectural blueprint.

#3 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Drypoint from a portfolio of five drypoints and three etchings on wove german etching paper Accession ID 1996.77.4.3

Not on view

The image consists of thin, intersecting lines forming geometric shapes and curved paths in an abstract composition. A horizontal line is intersected by vertical and diagonal lines resembling a stylized arrow and cross. An abstract shape with a vertical loop is present on the right. At the bottom, parallel lines create triangular shapes resembling a sail or peak. Dots scattered along the top contribute to the abstract nature of the artwork.

#6 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Etching from a portfolio of five drypoints and three etchings on rives bfk wove paper Accession ID 1996.77.4.5

Not on view

This image shows a grid of five rectangular shapes aligned into two rows. Each rectangle contains a portrait rendered in abstract blue or red tones. The portraits depict figures dressed in historical attire. The arrangement and color scheme offer a modern interpretation of traditional portraiture.

The Selling of Five Americans and a Place for One World Citizen

Vito Acconci, Doris Simmelink, Stephen Thomas, Crown Point Press

1977

Photo-etching in red and blue on stonehenge grey paper Accession ID 1998.40.2

Not on view

Crown Point Press

Diecimila [verso]

Diecimila [verso]

Bending Light

Bending Light

6 from Landing [artist's proof]

6 from Landing [artist's proof]

Religious Picture

Religious Picture

#1 from Nine Drypoints and Etchings

#1 from Nine Drypoints and Etchings

Landing [artist's proof]

Landing [artist's proof]

#4 from Nine Drypoints and Etchings [artist's proof]

#4 from Nine Drypoints and Etchings [artist's proof]

#9 from Nine Drypoints and Etchings

#9 from Nine Drypoints and Etchings

Marking Time

Marking Time

#3 from Nine Drypoints and Etchings

#3 from Nine Drypoints and Etchings

#6 from Nine Drypoints and Etchings

#6 from Nine Drypoints and Etchings

The Selling of Five Americans and a Place for One World Citizen

The Selling of Five Americans and a Place for One World Citizen

West Building

East Building

Sculpture Garden

Crown Point Press

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West Building

East Building

Sculpture Garden

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