Crown Point Press

The image shows an abstract composition with a gray wedge-like segment set against a light background.

3 from Landing [artist's proof]

Tom Marioni, Doris Simmelink, Crown Point Press

published 1977

One from a portfolio of six mezzotints in gray on wove paper [artist's proof] Accession ID 1991.207.4.3

Not on view

In this image, there is a small dark gray semi-circular shape in the center of an off-white background. The shape has a smooth curved line meeting straight edges. The darker area inside the shape has a soft textured quality.

1 from Landing [artist's proof]

Tom Marioni, Doris Simmelink, Crown Point Press

published 1977

One from a portfolio of six mezzotints in gray on wove paper [artist's proof] Accession ID 1991.207.4.1

Not on view

#1 from Nine Drypoints and Etchings [artist's proof]

Richard Diebenkorn, John Slivon, Crown Point Press

1977

Drypoint from a portfolio of six drypoints and three etchings on wove paper [artist's proof] Accession ID 1996.77.12.1

Not on view

The image displays bold black shapes on a light background with intersecting lines and forms. A large, dark club symbol is shown in the lower section, while an oversized spade symbol is depicted above within a rectangular black space. The shapes are bordered by linear etchings, resembling playing cards but with a modern twist.

Untitled (Spade and Club)

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Drypoint and aquatint in black on rives bfk paper Accession ID 1996.77.3

Not on view

Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Portfolio of five drypoints and three etchings on wove paper Accession ID 1996.77.4.1-8

Not on view

The image displays a series of straight lines forming geometric shapes, including a large triangle in the center. Two intersecting lines create an 'X' shape above the triangle, while horizontal and vertical lines in the top section form rectangles and squares. The shapes suggest an abstract architectural blueprint or simplified map. The black lines contrast with the light background, highlighting the minimalist abstraction.

#3 from Nine Drypoints and Etchings [artist's proof]

Richard Diebenkorn, John Slivon, Crown Point Press

1977

Drypoint from a portfolio of six drypoints and three etchings on wove paper [artist's proof] Accession ID 1996.77.12.3

Not on view

The image displays intersecting lines and curves within a rectangular frame. The lines form a pointed angular shape, while the curve creates an outline resembling an oval or loop, against a blank background.

#5 from Nine Drypoints and Etchings [artist's proof]

Richard Diebenkorn, John Slivon, Crown Point Press

1977

Drypoint from a portfolio of six drypoints and three etchings on wove rives bfk paper [artist's proof] Accession ID 1996.77.12.5

Not on view

The image consists of bold, black lines on a plain background. The top portion shows intersecting horizontal, vertical, and diagonal lines creating an abstract shape. Below, two diagonal lines converge to form a large triangle. The composition encourages viewers to connect the geometric shapes with familiar objects through imagination.

#2 from Nine Drypoints and Etchings

Richard Diebenkorn, John Slivon, Stephen Thomas, Crown Point Press

1977

Drypoint from a portfolio of five drypoints and three etchings on umbria italia wove paper Accession ID 1996.77.4.2

Not on view

Clusters: Plate 2

Edda Renouf, Simmelink/Sukimoto Editions, Crown Point Press

1976

One from a portfolio of eight prints: etching and aquatint in red-brown on rives bfk paper Accession ID 1991.207.13

Not on view

Clusters: Plate 7

Edda Renouf, Simmelink/Sukimoto Editions, Crown Point Press

1976

One from a portfolio of eight prints: drypoint and aquatint in brown on rives bfk paper Accession ID 1991.207.18

Not on view

The image shows a large square in a light beige tone with a smaller white square perfectly centered within it.

Untitled from Six Aquatints

Robert Ryman, Parasol Press, Crown Point Press

1975

One from a portfolio of six aquatints Accession ID 2022.35.67.4

Not on view

The image displays a large, subtly textured rectangular shape with soft lines along the edges, creating an abstract visual experience. The off-white expanse resembles a blank canvas, reminiscent of an untouched sheet of paper or a cloudless sky.

Untitled from Six Aquatints

Robert Ryman, Parasol Press, Crown Point Press

1975

One from a portfolio of six aquatints Accession ID 2022.35.67.3

Not on view

Crown Point Press

3 from Landing [artist's proof]

3 from Landing [artist's proof]

1 from Landing [artist's proof]

1 from Landing [artist's proof]

#1 from Nine Drypoints and Etchings [artist's proof]

#1 from Nine Drypoints and Etchings [artist's proof]

Untitled (Spade and Club)

Untitled (Spade and Club)

Nine Drypoints and Etchings

Nine Drypoints and Etchings

#3 from Nine Drypoints and Etchings [artist's proof]

#3 from Nine Drypoints and Etchings [artist's proof]

#5 from Nine Drypoints and Etchings [artist's proof]

#5 from Nine Drypoints and Etchings [artist's proof]

#2 from Nine Drypoints and Etchings

#2 from Nine Drypoints and Etchings

Clusters: Plate 2

Clusters: Plate 2

Clusters: Plate 7

Clusters: Plate 7

Untitled from Six Aquatints

Untitled from Six Aquatints

Untitled from Six Aquatints

Untitled from Six Aquatints

West Building

East Building

Sculpture Garden

Crown Point Press

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West Building

East Building

Sculpture Garden

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