Animations:

Visit
Admission is always free

6th and Constitution Ave NW
Washington, DC 20565

Must-Sees at the National Gallery

Make the most of your visit
Learn more
Exhibitions & Events
America’s 250th

Celebrating American art and artists
Art & Artists
Open Call

Artists Reimagining the Collection
Meet the 50 makers selected from more than 1,600 submissions

Open 10:00 a.m.–5:00 p.m.

Visit
Admission is always free

6th and Constitution Ave NW
Washington, DC 20565

Must-Sees at the National Gallery

Make the most of your visit
Learn more
Exhibitions & Events
America’s 250th

Celebrating American art and artists
Art & Artists
Open Call

Artists Reimagining the Collection
Meet the 50 makers selected from more than 1,600 submissions

Crown Point Press

Displaying 1633 - 1644 of 1745

Day Five from Seven Day Diary (Not Knowing)

John Cage, Stephen Thomas, Crown Point Press

1978

Etching, drypoint, softground etching, sugarlift aquatint, photo-etching, and impressions from inked found objects from a portfolio of seven etchings and drypoints on wove rives paper Accession ID 1996.93.26.5

Not on view
Untitled from Suite Six

Robert Barry, John Slivon, Crown Point Press

1978

One from a portfolio of six etchings in gray on wove rives bfk paper Accession ID 1998.40.14.5

Not on view
Five

Robert Barry, John Slivon, Crown Point Press

1978

Unbound portfolio of five etchings in gray on wove arches satiné paper Accession ID 1998.40.9.1-5

Not on view
Five (III) from Five

Robert Barry, John Slivon, Crown Point Press

1978

One from a portfolio of five etchings in gray on wove arches satiné paper Accession ID 1998.40.9.3

Not on view
Line Fever

William T. Wiley, Crown Point Press

1978

Softground etching in black on rives heavyweight buff paper Accession ID 1998.40.485

Not on view
(Image 3)

Pat Steir, Crown Point Press, Hidekatsu Takada, John Slivon

1978

Color aquatint, hard and softground etching, drypoint, spitbite and liftground etching on arches satine paper Accession ID 2001.142.95.3

Not on view
Day One from Seven Day Diary (Not Knowing)

John Cage, Stephen Thomas, Crown Point Press

1978

Etching and drypoint from a portfolio of seven etchings and drypoints on wove rives paper Accession ID 1996.93.26.1

Not on view
Bite the Bullet: Slow Guns for Quick Sale (To Be Etched On Your American Mind)

Vito Acconci, Doris Simmelink, Stephen Thomas, Crown Point Press

1977

Photo-etching in black on rives bfk wove paper Accession ID 1998.40.1

Not on view
Landing

Tom Marioni, Doris Simmelink, Crown Point Press

published 1977

Portfolio of six mezzotints in gray on wove paper Accession ID 1991.207.4.1-6

Not on view
4 from Landing [artist's proof]

Tom Marioni, Doris Simmelink, Crown Point Press

published 1977

One from a portfolio of six mezzotints in gray on wove paper [artist's proof] Accession ID 1991.207.4.4

Not on view
6 from Landing [artist's proof]

Tom Marioni, Doris Simmelink, Crown Point Press

published 1977

One from a portfolio of six mezzotints in gray on wove paper [artist's proof] Accession ID 1991.207.4.6

Not on view
Religious Picture

Tom Marioni, Crown Point Press

1977

Softground etching in gold with gold leaf applied by hand on rives bfk paper Accession ID 1998.40.364

Not on view