Results

Mary Cassatt
Closed September 6, 1999
We look slightly down into a lime-green and white rowboat carrying a woman holding a baby and a man in this nearly square painting. The man wears midnight-blue shoes, pants, jacket, and soft, floppy cap. He sits with his back to us, bending forward to row the boat, which is cropped by the bottom edge of the canvas. The left side of his ruddy face is visible over his left shoulder. The woman and baby both have pale skin. The woman and baby sit across from the man, facing us to our left in the bow. The woman’s long-sleeved, sky-blue dress is crosshatched with pink lines. The baby leans back in the woman’s arms, and wears a pink dress, blue socks, and brown shoes. The wide-brimmed hats on both the woman and baby are painted pale celery green. They gaze toward or just past the man. The corner of the boat’s sail, also painted pale green, is pulled taunt by the wind to our left. Azure-blue water surrounds the boat up to the high horizon line, which brushes the top edge of the painting. The shoreline in the distance is lined with trees and dotted with white houses with red roofs.
From Botany to Bouquets
Closed May 31, 1999
A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting. Shown against a dark brown background, the vase sits on a caramel-brown ledge. The flowers in the center of the arrangement draw the eye. On our right two tulips are streaked with cream white and dark pink. A flower above it, perhaps an anemone, has white ruffled petals with flame-red tips around a denim-blue center. A small snail in a rust-orange shell rests on a curling green leaf nearby. On our left is a partly opened tulip with scarlet-red streaks next to an ivory-white hydrangea with clusters of tiny petals. Trumpet-shaped, sea-blue morning glories and an amber-orange bloom surround the white hydrangea. The top third of the arrangement has a tall, white peony with feathery petals at the center. Queen Anne’s lace nestles alongside small blooms in muted purples and blues, sage-green peapods, and a carrot-orange flower that resembles a daisy. A slender stalk of wheat extends off the right side while another bends to meet the ledge. The lower third of the arrangement is filled with pink roses, more green pea pods, two closed, plum-purple flowers, and another feathery peony, this one crimson red, which droops to meet the ledge near the bottom right corner of the painting. A few blackberries lie on the ledge nearby. Leaves in various sizes and shades of green fill in among the blooms. More insects and creatures are scattered throughout the composition. For example, a caterpillar clings to the underside of the white peony at the top while a brown and black butterfly flies toward it. A bee sits on the white and red anemone, and a snail, salamander, and spider gather on the ledge to the left of the vase. Stems and the water line are visible within the glass vase, which swells from a narrow opening into a wide base. Panes of a window off to our left reflects in the belly of the vase. The artist signed the front face of the ledge near the lower left: “J.D. De Heem f.”
Artists and the Avant-Garde Theater in Paris, 1887-1900
Closed September 7, 1998
The artwork titled "Le Missionnaire" depicts two individuals seated in a theater box. The person on the right is shown from the waist up, sitting in profile. They have red hair and are wearing a black outfit with a high collar and a large bow on their head. They are holding opera glasses to their face. The second person is seen in the background, partially obscured, with a focused expression. The setting features rich red curtains and ornate decorations typical of a theater environment. The lower portion of the image contains text listing the title and cast of a theatrical production. The colors are vivid, with a strong emphasis on red, black, and yellow.
Love and War
Closed January 31, 1999
This is a drawing of a scene with various figures engaged in different activities. The image shows a detailed depiction of a medieval or renaissance gathering with elegantly dressed figures. The figures are clothed in long, flowing garments or robes with intricate patterns and textures. The setting appears to be a large hall or courtyard with architectural elements such as arches and columns. In the center, there are three individuals playing musical instruments on a raised platform, surrounded by others dancing or socializing. The floor is checkered, with small dogs in the foreground. The composition features animated figures engaged in conversation or activities, conveying a sense of festivity and community in monochrome tones.
The Victorians
Closed May 11, 1997
We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting. Only the corner of the table is visible in the lower right corner of the canvas. The woman sits next to one man on the far side of the table, and the third person leans onto the table from our right, along the edge of the composition. The table is covered with a dark, ruby-red, floral cloth. The red-haired woman wears a dark green dress and leans back, extending her right arm along the railing. Her back is to the river below, and she gazes directly ahead, to our right. The dark-haired, bearded man sitting to her left, our right, leans toward the cleanshaven, dark-haired man sitting across from him. That second man wears a cap, and he has a prominent nose and square jaw. Sailboats, rowboats, a steamship, and vessels of every size occupy much of the waterway. Rows of buildings extend along the river to our left and right, and trees line the distant horizon at the center of the painting. The river is a tan color and the pale blue sky is hazy.
Six Centuries/Six Artists
Closed May 4, 1997
The image shows a woman reclining on her side with a large yellow hat and a thoughtful expression. She is accompanied by a small dog and surrounded by playing cards on a red ground. The background features a pattern of pink and white florals.
Lorenzo Lotto
Closed March 1, 1998
Set on a strip of land under a cloud-filled sky and in front of a stormy sea, a nude, light-skinned satyr reclines to our right as a nude, pale-skinned, blond child crouches over some objects on the dirt ground to our left in this vertical landscape painting. The satyr has with a man’s body and shaggy, goat’s legs. He leans over and peers into a golden urn, which has a round bottom and tall, flaring sides about the height of his torso. One hand holds the single handle and the other wraps around the body of the urn. The tips of the satyr’s ears are elongated and pointed, and the corner of his mouth curves up into an exaggerated smile in his brown beard. Red liquid pours from an object, perhaps an overturned urn, near the satyr’s outstretched leg and white liquid pours from another urn between us and the satyr. Next to the satyr, at the center of the painting, a thick, upright tree trunk is broken off abruptly but one shoot grows tall with emerald-green leaves. A translucent, shield-shaped object decorated with an open-mouthed, human face hangs from a pink ribbon around the broken trunk near the branch. A second shield outlined in red with a rearing, white lion against a royal-blue field leans against the foot of the tree to our left. Nearby, the pale, naked child holds a pair of sticks, possibly a compass, and reaches for other objects on the ground near the shield, including a white disk, a pair of small, red-covered books, a square and possibly a plumb line, a flute, pan pipes, and a scroll of paper. The ground and landscape around each person are distinctly different. To our left, the dirt ground under the child is littered with small rocks. Beyond a row of larger boulders, a sweeping field of lemon-lime green sweeps up into a bank of clouds. A small nude person with dark forms, perhaps representing wings, on their shoulders, arms hips, and ankles ascends a path up toward the clouds. To our right, the satyr reclines on green grass in front of a screen of three lush trees. Beyond, across the entire landscape, a choppy sea extends into the far distance beneath the steel-gray clouds above. A masted ship is swallowed by waves behind the satyr, to our right.
Drawings of Landscape and Architecture from the Armand Hammer Collection
Closed November 9, 1997
The image is a sketch depicting a rural scene. The point of view presents a path curving away from us and extending into the distance, flanked by fields. The horizon is marked by a line of trees. The sketch uses light pencil work with faint shading and outline. Close to us, a figure with an animal walks along the path. Sparse details on the left show fields, while to the right, a tree and fence posts create a boundary. The color palette is monochromatic, using natural tones and shadows of pencil on paper.
Alexander Calder
Closed July 6, 1997
The artwork features a series of fluid, continuous lines forming an abstract depiction of a circus scene. The lines create an impression of performers and animals, including a trapeze artist suspended mid-air, a ringmaster, and figures on stilts. There are outlines resembling horses and a lion within a ring. The scene is set against a backdrop of curved lines that suggest the structure of a circus tent.
Building a Collection
Closed April 19, 1998
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