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The Once Great Salt Lake

Utah artists respond to the receding lake, mourning what is disappearing but also imagining a future in which it endures.

By Laura Allred Hurtado , Jenn Ackerman and Tim Gruber
ARTICLE

The Japanese-American Artist Who Shaped Flowing Water

The multidisciplinary artist George Tsutakawa found inspiration in the Pacific Northwest’s natural environment and dedicated his life to art. His family follows in his footsteps.

By Mayumi Tsutakawa , Jenn Ackerman and Tim Gruber
ARTICLE

There Will Be Light 

Not constrained by any one medium, style, or artistic tradition, Barbara Earl Thomas is eager to step into the unknown as she continues telling her story.

By Amy Chaloupka , Jenn Ackerman and Tim Gruber
INTERACTIVE ARTICLE

Everyday Awe

Learn how the American painter Georgia O'Keeffe marveled at commonplace natural forms—and how to find the same sense of awe on your own.

By Nathalie Ryan
The image depicts a woman sitting on the ground. She is turned slightly towards the camera, with her right arm resting on her bent knee. She has short, wavy dark hair, a soft facial expression, and is wearing a chunky sweater over a white skirt. Artist supplies such as a palette, an open book or sketchpad, and a glass of liquid are nearby. The background shows a pathway beside a brick structure partially covered by greenery, with plants growing next to where she is seated.
ARTICLE

Painter George A. Morton Transcends Tradition

Through sustained looking and detailed re-creations, this Atlanta-based artist studies Rembrandt and Sargent while finding new subjects that carry forward the painters’ traditions.

By Isabella Bulkeley
ARTICLE

Making Home Anew with Clay and Fire

Oklahoma potter Richard Zane Smith revives techniques, memories, and practices of Waⁿdat culture.

By Alicia Harris (Assiniboine) , Jenn Ackerman and Tim Gruber
ARTICLE

The Last of the Buffalo and their Revival

Albert Bierstadt’s twin paintings of the disappearing American bison became part of the movement to save the animal from extinction.

By Susan Barnett , Jenn Ackerman and Tim Gruber
ARTICLE

George Washington, Pictured

For centuries, artists have depicted the military general—in paint, in print, and in plaster. These portraits continue to give us insight into Washington’s emotional life, military presence, and cultural footprint.

By Angelica Hankins
Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting. His body is angled to our right and he turns his face to look at us with gray eyes under pale gray eyebrows. He has a hooked nose and jowls along his chin line. His cheeks are flushed and his lips are set in a line. His white hair flares out along the sides of his head and is tied at the nape of his neck with a ribbon loosely painted and outlined with black. His ink-black coat has silvery gray highlights along the high collar and his right shoulder, to our left. The background is painted with light brushstrokes, deepening from scarlet red around his face to black at the upper corners.