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Provenance

Anonymous collection, Milan. George Morland [1763-1804], London.[1] A. Hope, London.[2] Sir John Rushout, 6th bt and 2nd baron Northwick [1770-1859], Northwick Park, near Moreton-in-the-Marsh, originally Worcestershire, now Gloucestershire, and Thirlestane House, near Cheltenham, Gloucestershire, by 1839;[3] (his estate sale, Phillips at Thirlestane House, 26 July-30 August 1859, no. 62, as by Raphael); John Watkins Brett [1805-1863], London; (his estate sale, Christie, Manson & Woods, London, 5-14 and 18 April 1864, 5th day [April 9] no. 827, as by Raphael); purchased by Morland. Sir John Charles Robinson [1824-1913], London;[4] sold 1868 to Sir Francis Cook, 1st Bt. [1817-1901], Doughty House, Richmond, Surrey;[5] by inheritance to his son, Sir Frederick Lucas Cook, 2nd Bt. [1844-1920], Doughty House; by inheritance to his son, Sir Herbert Frederick Cook, 3rd Bt. [1868-1939], Doughty House; by inheritance to his son, Sir Francis Ferdinand Maurice Cook, 4th Bt. [1907-1978], Doughty House, and Cothay Manor, Somerset; sold July 1947 to (Gualtiero Volterra, London) for (Count Alessandro Contini Bonacossi, Florence and Rome);[6] sold July 1948 to the Samuel H. Kress Foundation, New York;[7] gift 1952 to NGA.

Exhibition History

1839
Pictures by Italian, Spanish, Flemish, Dutch, and French Masters, British Institution, London, 1839, no. 41, as The Flagellation by Raphael.
1868
National Exhibition of Works of Art, Leeds, 1868, no. 53, as The Flagellation of Our Savior by Lo Spagna.
1902
Exhibition of Works by the Old Masters. Winter Exhibition, Royal Academy of Arts, London, 1902, no. 19, as The Flagellation by Perugino.

Bibliography

1864
Crowe, Joseph Archer, and Giovan Battista Cavalcaselle. A New History of Painting in Italy from the Second to the Sixteenth Century. 3 vols. London, 1864-1866: 3(1866):288 n. 3, as by Pietro Perugino or a follower.
1868
Robinson, Sir John Charles. Memoranda on fifty pictures selected from a collection of works of the ancient masters. London, 1868: 6-7, no. 7, as by Lo Spagna.
1886
Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. Storia della pittura in Italia dal secolo II al secolo XVI. 11 vols. Florence, 1886-1908: 4(1902): 250-251, as by Pietro Perugino or a follower.
1903
Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. A History of Painting in Italy. 6 vols. Ed. Robert Langton Douglas (vols. 1-4) and Tancred Borenius (vols. 5-6). London, 1903-1914: 5(1914):341, as by Pietro Perugino or a follower, with a note that Tancred Borenius agrees with Umberto Gnoli that is by Bachiacca.
1913
Borenius, Tancred. A Catalogue of the Paintings at Doughty House, Richmond, and Elsewhere in the Collection of Sir Frederick Cook Bt. Vol. 1: Italian Schools. Ed. Herbert Cook. London, 1913: no. 54.
1917
Fischel, Oskar. “Die Zeichnungen der Umbrer – 2” Jahrbuch der Königlich Preussischen Kunstsammlungen 83 (1917): 156, fig. 160, as Workshop of Perugino (Bachiacca?).
1932
Brockwell, Maurice W. Abridged Catalogue of the Pictures at Doughty House, Richmond, Surrey, in the Collection of Sir Herbert Cook. London, 1932: no. 215.
1951
Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1945-1951. Introduction by John Walker, text by William E. Suida. National Gallery of Art, Washington, 1951: 96, no. 38, repro., as by Umbrian School (Possibly Raphael).
1955
Longhi, Roberto. “Percorso di Raffaello giovine.” Paragone 65 (1955): 21, fig. 18, as partly by Raphael.
1956
Camesasca, Ettore. Tutta la pittura di Raffaello. 2 vols. Milan, 1956: 1:81, as by Raphael.
1956
Suida, Wilhelm. “Kooperation in alten Gemälden.” In Festschrift W. Sas-Zaloziecky zum 60. Geburtstag. Graz, 1956: 165-166, as by Pietro Perugino and Raphael.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 96, repro.. as by Umbrian School (Possibly Raphael).
1962
Camesasca, Ettore. Tutta la pittura di Raffaello. 2 vols. Milan, 1962: 1:81, as possibly by Raphael.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 133, as Umbrian School (Possibly Raphael).
1966
De Vecchi, Pierluigi. L’opera completa di Raffaello. Milan, 1966: 91, cat. 34, as probably not by Raphael.
1966
Dussler. Luitpold. Raffael. Kritisches Verzeichnis der Gemälde, Wandbilder und Bildteppiche. Munich, 1966: 76, cat. 136, as by Bachiacca.
1966
Nikolenko, Lada. Francesco Ubertini called Il Bacchiacca. New York, 1966: 11-12, 65-66, fig. 83, as Attributed to Bachiacca.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 120, repro., as Umbrian School (Possibly Raphael).
1968
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 106-107, fig. 253.
1969
De Vecchi, Pierluigi. The Complete Paintings of Raphael. London, 1969: 91, cat. 34, as probably not by Raphael.
1971
Dussler, Luitpold. Raphael: A Critical Catalogue of his Pictures, Wall-Paintings and Tapestries. London, 1971: 66-67, as by Bachiacca.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 172, 243, 647, as by Raphael or an Anonymous 15th-century Umbrian.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 356, repro.
1978
Colbert, Charles D. “Bacchiacca in the Context of Florentine Art.” Ph.D. diss., Harvard University, Cambridge, MA, 1978: 17, as Workshop of Pietro Perugino.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:512-513; 2:pl. 359, as Umbrian School, Early XVI Century.
1981
De Vecchi, Pierluigi. Raffaello, la pittura. Florence, 1981: 261, as among works attributed to Raphael.
1983
Knab, Eckhart, Erwin Mitsch, and Konrad Oberhuber. Raffaello, i disegni. Ed. Paola Dal Poggetto. Florence, 1983: 82-83, fig. 70, as School of Pietro Perugino.
1983
Knab, Eckhart, Erwin Mitsch, and Konrad Oberhuber. Raphael, die Zeichnungen. Stuttgart, 1983: 86, 88, fig. 75, as School of Pietro Perugino.
1984
Scarpellini, Pietro. Perugino. Milan, 1984: 50, 53, 111, cat. 136, figs. 224-225, as by Pietro Perugino and collaborator (Gianniacola di Paolo?).
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 172, no. 191, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 34, repro.
1986
Brown, David Alan. "Saint George in Raphael's Washington Painting." Studies in the History of Art 17 (1986):41, fig. 10.
1986
Cordellier, Dominique. Hommage à Andrea del Sarto. Exh. cat. Musée du Louvre, Paris, 1986: 105-106.
1989
Todini, Filippo. La pittura umbra dal Duecento al primo Cinquecento. 2 vols. Milan, 1989: 1:328. 2:pl.1300, as by 'Baccio Ubertini' (?).
1992
Brown, David Alan. "Raphael, Leonardo, and Perugino: Fame and Fortune in Florence." In Serafina Hager, ed. Leonardo, Michelangelo, and Raphael in Renaissance Florence from 1500-1508. Washington, DC, 1992: 48.
2002
La France, Robert G. “Francesco d’Ubertino Verdi, il Bachiacca, 1494-1557: ‘Diligente Dipintore.’” 2 vols. Ph.D. diss., Institute of Fine Arts, New York University, 2002: 2:581-582, cat. 123, pl. 123, as Studio of Pietro Perugino and Bartolomeo d'Ubertino Verdi.
2004
Garibaldi, Vittoria, and Francesco Federico Mancini, eds. Perugino: il divin pittore. Exh. cat. Galleria Nazionale dell'Umbria, Perugia, 2004: 353, as Attributed to Baccio Ubertini.
2004
Toscano, Bruno. "Il Perugino e la scoperta umanistica del paesaggio." In Laura Teza, ed. Pietro Vannucci il Perugino. Atti del Convegno Internazionale di Studio, 25 - 28 ottobre 2000. Perugia, 2004:406.
2006
Higgitt, Catherine et al. “Working with Perugino: The Technique of an Annunciation attributed to Giannicola di Paolo.” National Gallery Technical Bulletin 27 (2006): 109 n. 64.
2008
La France, Robert G. Bachiacca: Artist of the Medici Court. Florence, 2008: 280-281, cat. 121, fig. 84, as Studio of Pietro Perugino (and Bartolomeo d'Ubertino Verdi?).
2010
Shaneyfelt, Sheri F. “Giannicola di Paolo’s collaboration with Pietro Perugino at the Cenacolo di Foligno, Florence.” Zeitschrift für Kunstgeschichte 73, Bd. H. 4 (2010): 586 n. 32.

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