Little Dancer Aged Fourteen
Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer)
Fourth Position Front, on the Left Leg
Introduction to Entry
Degas’s most famous sculpture, Little Dancer Aged Fourteen is one of the stars of early modern art and perhaps the single work that, for many, represents his art in general. As the only sculpture known to have been exhibited in his lifetime, in 1881, it provides scholars with the one firm benchmark by which to study his three-dimensional work and the critics’ response to it.
The title given here is a translation of the one published in the impressionist catalogues, Petite danseuse de quatorze ans. Until recently, however, it was most often called by a posthumous name, the Dressed Dancer or Big Dressed Dancer (Danseuse habillée or Grande danseuse habillée), that first appeared, handwritten, in the 1921 Hébrard exhibition catalogue (apparently the wax was a late addition). Though replaced there with the original title, variations on Dressed or Big Dressed Dancer became standard even in Knoedler’s 1955 exhibition catalogue (Ballet Dancer, Dressed). Rewald’s 1944 catalogue raisonné perpetuated both: Ballet Dancer, Dressed as its English title but Petite danseuse de quatorze ans in French.
The posthumous Big Dressed Dancer title is important because it asserts this figure’s relationship to (in its differences from) the smaller nude variant Study in the Nude of Little Dancer Aged Fourteen.
Edgar Degas, Little Dancer Aged Fourteen, 1878–1881, pigmented beeswax, clay, metal armature, rope, paintbrushes, human hair, silk and linen ribbon, cotton and silk tutu, linen slippers, on wooden base, Collection of Mr. and Mrs. Paul Mellon, 1999