In France, the Musée d’Ethnographie du Trocadéro opened in Paris in 1878. Its ethnographic displays introduced both artists and the general public to objects from Africa, the Americas, and Asia. World’s fairs of the period, which took place in Europe and the United States, similarly offered expositions of cultures from around the world together with industrial and scientific exhibits and demonstrations.
In the United States, galleries and museums had been showing African works since about 1914, mostly as artifacts for ethnographic study rather than works of art. In 1935, the Museum of Modern Art in New York presented the first exhibition of African sculpture and artifacts as art in a modern art museum. The exhibition was called African Negro Art and showed approximately 600 works of African sculpture, textiles, masks, and other objects.
Aaron Douglas and Pablo Picasso created avant-garde works of art about 25 years apart. They came from different cultural perspectives, yet both took inspiration from African art. Douglas and fellow visual artists Hale Woodruff and Archibald John Motley Jr. lived in Paris for periods of time to paint and study European art, whose influences they absorbed in their work.
- Read short biographies of Douglas and Picasso on a trusted source.
- Look carefully at the works of art and respond to the following questions:
- How does each artist use line, shape, form, and color?
- How are the artists’ approaches similar or different?
- Consider the cultural context of the works of each artist and how it might have influenced his practice. What were the biographical/personal, political, social, economic, artistic, and geographic factors that may have influenced the artist?
- Develop lists of these factors for the Douglas and Picasso objects.