Sociocultural Narratives of Clothes and Costumes among the Mbula People of Northeastern Nigeria

Arboreal Formations: The Dynamics of Wood in Italian Intarsia and Painting, 1450–1540

Tracking North: Art, Ecology, and Exchange in the Medieval Nordic World

Classics and the Art Museum: The Shock of the Old

Extracting Resources, Extracting Life: Brazilwood and Extreme Longevity in Early Modern European Colonial Prints and Maps

Brick Gothic and the Hanse: Materials, Networks, and Urban Identities, 1250–1450

Art and Automation

Albedrío / Free Will: Research for an Exhibition Proposal

The Resurrected Christ Appearing to the Virgin: Visualizing an Apocryphal Encounter in Late Medieval Art

John Singer Sargent’s Stereographs Rediscovered

Tracking “Primitive Art” from New Guinea: How Morton D. May Assembled Department Store Exhibition Sales for Middlebrow America (A Detective Story)

Where I Learned to Look: Art from the Yard

Abstraction in the Andes, 1950–1970

The Retromodern, Africa, and the Time of the Contemporary

Police Media and Documentary Photography in 20th-Century America

Retracing Truth: The Haunting Presence of History in Contemporary Art Practices in Iran

Āsār: Visualizing Vestiges of the Past in 19th-Century Iran

Beyond “Buon Fresco”: Experimenting with Oil in Early Modern Mural Painting (c. 1500–1650)

Fossils for a Future Time: David Smith and the Sculpting of Traces

The Last of the Qataban

The Bohío and the City: Ephemeral Architecture and Urbanism in the Late Spanish Colonial Caribbean

Inheriting Islamic Art History: I. M. Pei’s Museum of Islamic Art, Doha

Until We Are Forged: Hymns for the Elements

From the Ground Up: Picturing Scientific Knowledge in the Late 18th-Century Spanish Americas

We Live Here, Now

Lifelikeness: A Story of Art in Archaic and Classical Greece

Unmaking Tradition: Native Designers and the Representation of Knowledge During the “Indian New Deal”

Missions Impossible: The Art of Franciscan Failure and Puebloan Perseverance in Nuevo México

Color Through the Seven Spheres: Materiality and Vision in Medieval Islamic Architecture

Simulating Time, Modeling Cosmologies: Clockwork Art Between Early Modern Europe and China

Network Moderns: Vernacular Photography and Image-Making in Global Chinas 

Ambassadors of Art: State and Culture Across Borders

How Modern Art Became Islamic: Imagining God and Man Between Iran’s Two Revolutions

Photography and Furnishings: Embodied Memories

Evaluation of Curatorial Processes, Design, and Reception

Professional Development through Curatorial Research and Project Management

Understanding the Index of American Design

Programming and Digital Initiatives at the Center

The Aesthetics of Digital Color

Text/Image Dynamics in Ethiopian Gospel Manuscripts

Beverly Buchanan’s Material Experiments, 1977–1982