Because reversal is inherent to the etching process, Bechtle’s print is a mirror image of the lift (preparatory) drawing. In the drawing’s lower margin, Bechtle wrote, “This is not a finished work of Art!” Indeed, the drawing was no more than a tool for him. Laid on top of the various copperplates, it facilitated the tracing of the print’s design and the mapping out of its colors.
Robert Bechtle working at Crown Point Press, photograph by Kathan Brown, Courtesy Crown Point Press
"Yes, No, Maybe: The Art of Making
Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)
Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)
"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)